Not currently on display at the V&A

This object, or the text that describes it, is deemed offensive and discriminatory. We are committed to improving our records, and work is ongoing.


Look at the Price of Coals

Sheet Music
ca. 19th century (printed and published)
Artist/Maker
Place of origin

Music sheet cover for 'Look at the Price of Coals!', composed by Harry Hunter, sung by Walter Howard, published by J.A. Turner, ca. 19th century
Blackface is a style of theatrical makeup that originated in the United States around 1830 and which was based on racist stereotypes of African Americans. It was most commonly used in the minstrel performance tradition. White performers (and sometimes black) used burnt cork, greasepaint or shoe polish to blacken their skin and exaggerate their lips.


Object details

Categories
Object type
TitleLook at the Price of Coals (assigned by artist)
Materials and techniques
Lithograph
Brief description
Music sheet cover for 'Look at the Price of Coals!', composed by Harry Hunter, sung by Walter Howard, published by J.A. Turner, ca. 19th century
Physical description
Cover of the sheet music for 'Look at the price of coals'. In the centre, there is an image of Walter Howard playing a banjo with a blackened face. Credits of the song are printed above and below the image.
Dimensions
  • Height: 35cm (approx)
  • Width: 25.5cm (approx)
Marks and inscriptions
/DEDICATED TO EVERYBODY/ LOOK AT THE PRICE OF COALS!/ THE POPULAR SONG/ AS PERFORMED WITH/ THE MOORE & BURGESS MINISTRELS/ ST JAMES HALL, PICADDILY/ SUNG WITH IMMENSE SUCCESS BY/ WALTER HOWARD/ FOR WHOM IT WAS SPECIALLY WRITTEN BY HARRY HUNTER/ LONDON/J.A. TURNER: LEADENHALL STREET EC/ (Text on front of cover.)
Credit line
Gabrielle Enthoven Collection
Association
Literary referenceLook at the price of coals! by Harry Hunter
Summary
Music sheet cover for 'Look at the Price of Coals!', composed by Harry Hunter, sung by Walter Howard, published by J.A. Turner, ca. 19th century
Blackface is a style of theatrical makeup that originated in the United States around 1830 and which was based on racist stereotypes of African Americans. It was most commonly used in the minstrel performance tradition. White performers (and sometimes black) used burnt cork, greasepaint or shoe polish to blacken their skin and exaggerate their lips.
Collection
Accession number
S.439-2012

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdApril 25, 2012
Record URL
Download as: JSONIIIF Manifest