Design
ca.1770 (made)
Artist/Maker | |
Place of origin |
Sketch designs (3 on one sheet) for étuis which are small cases for carrying personal articles such as needles or knives. The designs are inscribed 'Etuy a De[illegible inscription] et a Eguille' which means an étui for [illegible inscription] and needles. One of the designs is inscibed 'Couteaux' which means knives because the étui was destined to contain such implements. At this period, it was not unusual for people to carry their own table knives with them. The designs were drawn by an anonymous designer in about 1770 possibly for an elite client from the Court of Louis XV, King of France, from 1715 to 1774, at Versailles, Paris. The designs are from an album of designs which date from about 1735-1820 and includes those for snuffboxes, scent holders, watches and watch cases, spoons, fans and fan mounts, small swords, and chatelaines (ornamental chains, pins, or clasps usually worn at a woman's waist, to which trinkets, keys, purses, or other articles are attached). The binding is red morocco and the boards are stamped in gilt with the arms, now partly erased, of a member of the Bourbon family, probably Louis-Henri, Prince of Condé (1692-1740).
There is a close relationship between the contents of the album and known work by three Parisian goldsmiths, Jean Ducrollay (1710-1787), Pierre- François Drais (active 1761-1788), and Charles Ouizille (1744-1830) whose names appear on the first page of the album. This suggests that all the designs emanate from their workshops. Drais worked for the Court at Versailles as jeweller to both King Louis XV and Louis XVI. Ouizille worked in this capacity for Louis XVI. Most of the material dates from the period 1755-90.
There is a close relationship between the contents of the album and known work by three Parisian goldsmiths, Jean Ducrollay (1710-1787), Pierre- François Drais (active 1761-1788), and Charles Ouizille (1744-1830) whose names appear on the first page of the album. This suggests that all the designs emanate from their workshops. Drais worked for the Court at Versailles as jeweller to both King Louis XV and Louis XVI. Ouizille worked in this capacity for Louis XVI. Most of the material dates from the period 1755-90.
Object details
Category | |
Object type | |
Materials and techniques | Pencil, pen and red and brown ink on paper |
Brief description | Design, 3 on one sheet for etuis, Paris, ca.1770 |
Physical description | Sketch designs (3 on one sheet) for etuis drawn in pen and red ink. |
Dimensions |
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Marks and inscriptions | '[illegible inscription]' 'Etuy a De[illegible inscription] / et a Eguille' 'Couteaux' ('Eguille' is the eighteenth-century spelling for aiguille'which means needle.)
|
Credit line | Purchased with the assistance of Wartski Limited |
Production | These designs are by the same hand as (179, 276, 319). |
Subjects depicted | |
Summary | Sketch designs (3 on one sheet) for étuis which are small cases for carrying personal articles such as needles or knives. The designs are inscribed 'Etuy a De[illegible inscription] et a Eguille' which means an étui for [illegible inscription] and needles. One of the designs is inscibed 'Couteaux' which means knives because the étui was destined to contain such implements. At this period, it was not unusual for people to carry their own table knives with them. The designs were drawn by an anonymous designer in about 1770 possibly for an elite client from the Court of Louis XV, King of France, from 1715 to 1774, at Versailles, Paris. The designs are from an album of designs which date from about 1735-1820 and includes those for snuffboxes, scent holders, watches and watch cases, spoons, fans and fan mounts, small swords, and chatelaines (ornamental chains, pins, or clasps usually worn at a woman's waist, to which trinkets, keys, purses, or other articles are attached). The binding is red morocco and the boards are stamped in gilt with the arms, now partly erased, of a member of the Bourbon family, probably Louis-Henri, Prince of Condé (1692-1740). There is a close relationship between the contents of the album and known work by three Parisian goldsmiths, Jean Ducrollay (1710-1787), Pierre- François Drais (active 1761-1788), and Charles Ouizille (1744-1830) whose names appear on the first page of the album. This suggests that all the designs emanate from their workshops. Drais worked for the Court at Versailles as jeweller to both King Louis XV and Louis XVI. Ouizille worked in this capacity for Louis XVI. Most of the material dates from the period 1755-90. |
Bibliographic reference | Heike Zech, 'Designs for Gold Boxes in the Album of the Workshop of Jean Ducrollay and his Successors', in Going for Gold: craftsmanship and collecting of gold boxes, ed. Tessa Murdoch and Heike Zech (Sussex academic press, 2014). |
Collection | |
Accession number | E.897:20-1988 |
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Record created | May 31, 2006 |
Record URL |
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