Head of a Javanese rod puppet, 19th century thumbnail 1
Head of a Javanese rod puppet, 19th century thumbnail 2
Not currently on display at the V&A

Head of a Javanese rod puppet, 19th century

Puppet
19th century (made)
Artist/Maker
Place of origin

Javanese wayang golek or rod puppets are carved from soft wood, with necks that can swivel and bodies clad in long cotton sarongs. Their headdresses, costumes and colours can indicate the puppets’ characters. White means purity, virtue and moral integrity and is often the face colour of princes. Red means aggressiveness and anger, while blue and green faces mean cowardliness and hypocrisy. They are operated from below the stage by a central rod and by rods connected to the puppets’ hands. The puppeteer directs the performance and speaks all the roles. Behind him sit female singers and a gamelan orchestra.

Dating back to the 16th century, the plays they performed were based on Javanese folklore or stories from the Mahabharata or the Ramayana, ancient Indian epic stories featuring the struggle between good and evil, with good figures on the left of the puppeteer or dalang, and the evil on his left.


Object details

Categories
Object type
TitleHead of a Javanese rod puppet, 19th century (generic title)
Materials and techniques
Carved wood with painted decoration
Brief description
Head of a carved and painted wayang golek puppet. Javanese, 19th century.
Physical description
Painted wooden head, possibly representing Gatotkaca. Face painted green with red eyes and lips. Also wears painted red and gold patterned crown with pink bird.
Body is missing.
Dimensions
  • From the top of the crown to the neck height: 18cm
  • Widest part of face width: 13cm
Credit line
Lanchester Collection
Summary
Javanese wayang golek or rod puppets are carved from soft wood, with necks that can swivel and bodies clad in long cotton sarongs. Their headdresses, costumes and colours can indicate the puppets’ characters. White means purity, virtue and moral integrity and is often the face colour of princes. Red means aggressiveness and anger, while blue and green faces mean cowardliness and hypocrisy. They are operated from below the stage by a central rod and by rods connected to the puppets’ hands. The puppeteer directs the performance and speaks all the roles. Behind him sit female singers and a gamelan orchestra.

Dating back to the 16th century, the plays they performed were based on Javanese folklore or stories from the Mahabharata or the Ramayana, ancient Indian epic stories featuring the struggle between good and evil, with good figures on the left of the puppeteer or dalang, and the evil on his left.
Collection
Accession number
S.979-2011

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Record createdFebruary 28, 2012
Record URL
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