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Request to view at the Prints & Drawings Study Room, level E , Case A, Shelf 217, Box A

Architectural Drawing

2009 (made)
Artist/Maker
Place of origin

Using the landscape of the Museum as a test site, the V&A invited nineteen architects to submit proposals for structures that examine notions of refuge and retreat. Responding to specific locations in the Museum, the architects explored themes such as study, work, play, performance and contemplation. Seven of the proposals were then selected for construction at full-scale.

These projects promoted an attitude to architecture where to 'dwell' meant something more than simply to find shelter. Each building invited the participation of the viewer. These immersive environments reawakened people's ability to inhabit architectural space on both a physical and an emotional level.

This project evokes the sights, smells and textures of summer. At the heart of the structure is a meditation chamber. Visitors would enter it barefoot, so feeling the sea of barley grain that floods the room. They might then lie down in the bathtubs and enjoy a view of the suspended upside-down barley fields, swaying gently in an artificial breeze.


Object details

Categories
Object type
Materials and techniques
Pencil on tracing paper
Brief description
Architectural drawing, 1:1 exhibition, pencil on tracing paper, Anna Heringer, 2009
Physical description
Architectural drawing, pencil on tracing paper.
Dimensions
  • Height: 33.8cm
  • Width: 29.7cm
Credit line
Given by Anna Heringer
Summary
Using the landscape of the Museum as a test site, the V&A invited nineteen architects to submit proposals for structures that examine notions of refuge and retreat. Responding to specific locations in the Museum, the architects explored themes such as study, work, play, performance and contemplation. Seven of the proposals were then selected for construction at full-scale.

These projects promoted an attitude to architecture where to 'dwell' meant something more than simply to find shelter. Each building invited the participation of the viewer. These immersive environments reawakened people's ability to inhabit architectural space on both a physical and an emotional level.

This project evokes the sights, smells and textures of summer. At the heart of the structure is a meditation chamber. Visitors would enter it barefoot, so feeling the sea of barley grain that floods the room. They might then lie down in the bathtubs and enjoy a view of the suspended upside-down barley fields, swaying gently in an artificial breeze.
Collection
Accession number
E.138-2012

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Record createdFebruary 1, 2012
Record URL
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