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Silver Bullet Posse - The Lloyds Building, London

Photograph
1989 (Photographed), 2011 (printed)
Artist/Maker
Place of origin

Norman ‘Normski’ Anderson was born in Northwest London in 1966 and became a documenter of British youth culture in the 1980s and 1990s. Normski was part of the UK hip hop scene during this period and his photographs record the styles adopted by hip hop artists like the London-based Silver Bullet Posse.

Silver Bullet Posse were the crew behind British rapper Silver Bullet (born Richard Brown, pictured crouching in the centre) who had success in the late 1980s and early 1990s, later touring with American hip hop group Public Enemy. His popular 1989 single ‘20 Seconds to Comply’ was inspired by an altercation Silver Bullet Posse had with the police at Notting Hill Carnival. Normski took photographs of the rapper for the single’s record sleeve.

In this photograph the posse are posed on the lookout against the modern backdrop of the iconic Lloyds building in London’s financial centre, which was completed in 1986. The branded trainers, baggy trousers and baseball jackets worn by members of the posse recall the African American ‘B-Boy’ style, which became popular in Britain following the success of American hip hop artists like Run DMC and the Beastie Boys. The camouflage clothing, berets and sunglasses worn by other members of the posse mimic the black militant look made famous by Public Enemy.

The black militant style became a popular expression of black consciousness, which Normski replicated in an outfit he put together with hip hop clothing retailer Four Star General for the fashion exhibition ‘Streetstyle, From Sidewalk to Catwalk, 1940 to Tomorrow’ held at the V&A in 1994-5. He created two other B-Boy looks for this exhibition and all three remain in the V&A collection.

The V&A acquired seven photographs by Normski as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.


Object details

Categories
Object type
TitleSilver Bullet Posse - The Lloyds Building, London (assigned by artist)
Materials and techniques
Fujifilm C-type print
Brief description
Photograph by Normski, 'Silver Bullet Posse - The Lloyds Building, London', gelatin silver print, London, 1989, printed 2011
Physical description
A black and white phoptograph of eleven young black men posed together in front of a large industrial looking building. Some stand while others crouch or kneel. All of them are wearing clothing and accesories branded by companies such as Nike, Converse and Adidas. One young man bending down in the central foreground looks directly out of the frame, making a V-shaped gesture with his thumb and two fingers.
Dimensions
  • Image size height: 49.0cm
  • Image size width: 46.0cm
  • Paper size height: 60.1cm
  • Paper size width: 50.8cm
Style
Credit line
Supported by the National Lottery Heritage Fund.
Object history
The V&A acquired this photograph as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
Subjects depicted
Place depicted
Summary
Norman ‘Normski’ Anderson was born in Northwest London in 1966 and became a documenter of British youth culture in the 1980s and 1990s. Normski was part of the UK hip hop scene during this period and his photographs record the styles adopted by hip hop artists like the London-based Silver Bullet Posse.

Silver Bullet Posse were the crew behind British rapper Silver Bullet (born Richard Brown, pictured crouching in the centre) who had success in the late 1980s and early 1990s, later touring with American hip hop group Public Enemy. His popular 1989 single ‘20 Seconds to Comply’ was inspired by an altercation Silver Bullet Posse had with the police at Notting Hill Carnival. Normski took photographs of the rapper for the single’s record sleeve.

In this photograph the posse are posed on the lookout against the modern backdrop of the iconic Lloyds building in London’s financial centre, which was completed in 1986. The branded trainers, baggy trousers and baseball jackets worn by members of the posse recall the African American ‘B-Boy’ style, which became popular in Britain following the success of American hip hop artists like Run DMC and the Beastie Boys. The camouflage clothing, berets and sunglasses worn by other members of the posse mimic the black militant look made famous by Public Enemy.

The black militant style became a popular expression of black consciousness, which Normski replicated in an outfit he put together with hip hop clothing retailer Four Star General for the fashion exhibition ‘Streetstyle, From Sidewalk to Catwalk, 1940 to Tomorrow’ held at the V&A in 1994-5. He created two other B-Boy looks for this exhibition and all three remain in the V&A collection.

The V&A acquired seven photographs by Normski as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
Associated objects
Collection
Accession number
E.113-2012

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Record createdJanuary 31, 2012
Record URL
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