Costume Design thumbnail 1
Not currently on display at the V&A

Costume Design

1954 (made)
Artist/Maker
Place of origin

Costume design by James Bailey (ca.1925-1980) for Viola in William Shakespeare's play Twelfth Night, Old Vic, 6 January 1954.

In 1953 the Directors of the Old Vic announced that the theatre would present all 36 of the plays published in Shakespeare's First Folio in the following five years. Twelfth Night, directed by Denis Carey, was the fourth play to be staged. Viola was played by Claire Bloom, with Gwen Cherrell as Olivia, John Neville as Orsino, Richard Burton as Sir Toby Belch and Michael Hordern as Malvolio. James Bailey designed the costumes and also the Palladian-inspired architectural setting which was used for all six plays presented in the first season of the Five Year Plan, between September 1953 and May 1954. For Twelfth Night he adapted his permanent set to suggest an Italian garden. The Elizabethan costumes were based on the miniatures of Isaac Oliver and Nicholas Hilliard. The disguised Viola wore a green velvet doublet.

James Bailey's romantic and atmospheric style, influenced by the work of Oliver Messel, made him a much sort-after designer for opera and ballet. His first commission after graduating from the Slade School of Fine Art was to design Giselle at the Royal Opera House, Covent Garden, in 1946. He created settings and costumes for Shakespeare productions, notably a 'Victorian' Hamlet at Stratford-upon-Avon in 1948 and As You Like It for Katharine Hepburn in New York in 1950. Ill health caused him to give up his theatre work and from 1960 he concentrated on painting.



Object details

Categories
Object type
Materials and techniques
Watercolour, pencil and gouache on paper
Brief description
Costume design by James Bailey for Viola in William Shakespeare's play Twelfth Night, Old Vic, 6 January 1954.
Physical description
Costume design for Viola, disguised as a boy, in Twelfth Night, showing a full-length figure in a short olive green Elizabethan doublet, white shirt and beige tights, the arms and legs sketchily drawn, the head and body shown in detail.









Dimensions
  • Height: 47.5cm
  • Width: 36.8cm
Marks and inscriptions
  • 'Costume for / Clare Bloom / as / Viola / "Twelfth Night" / Old Vic. / 54' (Artist's annotation in ink, upper right hand corner.)
  • 'James Bailey' (Artist's signature in ink, lower right hand corner.)
Literary referenceTwelfth Night
Summary
Costume design by James Bailey (ca.1925-1980) for Viola in William Shakespeare's play Twelfth Night, Old Vic, 6 January 1954.

In 1953 the Directors of the Old Vic announced that the theatre would present all 36 of the plays published in Shakespeare's First Folio in the following five years. Twelfth Night, directed by Denis Carey, was the fourth play to be staged. Viola was played by Claire Bloom, with Gwen Cherrell as Olivia, John Neville as Orsino, Richard Burton as Sir Toby Belch and Michael Hordern as Malvolio. James Bailey designed the costumes and also the Palladian-inspired architectural setting which was used for all six plays presented in the first season of the Five Year Plan, between September 1953 and May 1954. For Twelfth Night he adapted his permanent set to suggest an Italian garden. The Elizabethan costumes were based on the miniatures of Isaac Oliver and Nicholas Hilliard. The disguised Viola wore a green velvet doublet.

James Bailey's romantic and atmospheric style, influenced by the work of Oliver Messel, made him a much sort-after designer for opera and ballet. His first commission after graduating from the Slade School of Fine Art was to design Giselle at the Royal Opera House, Covent Garden, in 1946. He created settings and costumes for Shakespeare productions, notably a 'Victorian' Hamlet at Stratford-upon-Avon in 1948 and As You Like It for Katharine Hepburn in New York in 1950. Ill health caused him to give up his theatre work and from 1960 he concentrated on painting.

Other number
SH.6 - Previous loan number
Collection
Accession number
S.1125-2011

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdOctober 18, 2011
Record URL
Download as: JSON