Portrait of Young Man thumbnail 1
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Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level F , Case MB1, Shelf DR16

Portrait of Young Man

Daguerreotype
ca. 1840-1870 (photographed)
Artist/Maker
Place of origin

The daguerreotype process was introduced to the public in 1839 by Frenchman Louis Daguerre, and was hugely popular as a medium for portraiture until the middle of the 1850s. To create a daguerreotype, a silver plated sheet was given a light sensitive surface coating of iodine vapour. After a long exposure in the camera, the image was developed over heated mercury and fixed in a common salt solution. The image lies on a mirror-like surface and is best seen from an angle to minimise reflections. The surface of daguerreotypes is delicate and easily damaged, so professionally finished images were presented in a protective case or frame.


Object details

Categories
Object type
Parts
This object consists of 4 parts.
(Some alternative part names are also shown below)
  • Photograph
  • Daguerreotype
  • Photograph
  • Daguerreotype
  • Photograph
  • Daguerreotype
  • Photograph
  • Daguerreotype
TitlePortrait of Young Man (generic title)
Materials and techniques
Daguerrotype, mounted, glazed and enclosed in tin case
Brief description
Daguerreotype portrait of a young man, mounted, glazed and enclosed in a tin container, France, ca. 1840-1870.
Physical description
Daguerreotype portrait of a young man, half-length, wearing a high collar and close-fitting jacket, seated on a chair. Mounted, glazed and enclosed in a tin case.
Dimensions
  • Of image height: 107mm
  • Including mount height: 150mm
Style
Production typeUnique
Credit line
Transferred from the British Museum, 2007
Summary
The daguerreotype process was introduced to the public in 1839 by Frenchman Louis Daguerre, and was hugely popular as a medium for portraiture until the middle of the 1850s. To create a daguerreotype, a silver plated sheet was given a light sensitive surface coating of iodine vapour. After a long exposure in the camera, the image was developed over heated mercury and fixed in a common salt solution. The image lies on a mirror-like surface and is best seen from an angle to minimise reflections. The surface of daguerreotypes is delicate and easily damaged, so professionally finished images were presented in a protective case or frame.
Other number
1936,1231.16 - British Museum number
Collection
Accession number
E.340-2010

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Record createdAugust 22, 2011
Record URL
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