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Love Confiding in Friendship

Group
ca. 1865 (made)
Artist/Maker
Place of origin

This is a bronze group made by Albert Ernest Carrier-Belleuse (1824-1887) in France, about 1865. The group represents Love Confiding in Friendship and is a reduction in bronze from the original statuette (now disappeared) shown in the 1857 Salon. It was itself shown at the Paris 1863 Union Centrale Exposition. Originally known as 'L'Amour et L'Amitie' (Love and Friendship), it later became known as L'Amour se Confie a l'Amitie' (Love Confiding in Friendship). It typifies the adaptations of styles and themes of a century earlier popular during the 1860s. Many of Carrier- Belleuse's salon works were commercially reproduced by either his own studio or by companies such as Deniere, as is the case with this bronze. One of his assistants in modelling these pseudo-18th century pieces was Auguste Rodin, who was forced for lack of public recognition to earn a living in this way.

Carrier-Belleuse's bronzes and terracottas, finely produced under his supervision, were from 1868 sold in public auctions. His interest in industrial techniques and the decorative arts is seen in designs for goldsmiths and in a book of drawings, 'The Application of the Human Figure to Industrial Decoration and Ornamentation'. He was involved with architectural sculpture to decorate Paris as rebuilt to Haussmann's plans.




Object details

Categories
Object type
TitleLove Confiding in Friendship (generic title)
Materials and techniques
Bronze
Brief description
Group, bronze, 'Love confiding in Friendship', by A.-E. Carrier-Belleuse, France (Paris), ca. 1865
Physical description
Bronze group, two figures standing.
Dimensions
  • Height: 80cm
  • Diameter: 30.48cm
Gallery label
'American and European Art and Design 1800-1900' This group, shown in the 1867 Paris Exhibition, typifies the adaptations of styles and themes of a century earlier popular during the 1860s. Albert-Ernest Carrier-Belleuse's bronzes and terracottas, finely produced under his supervision, were from 1868 sold in public auctions. His interest in industrial techniques and the decorative arts is seen in designs for goldsmiths and in a book of drawings, The Application of the human figure to industrial decoration and ornamentation (1884). He was involved with architectural sculpture to decorate Paris as rebuilt to Haussmann's plans.(1987-2006)
Object history
This group is a reduction in bronze from the original statuette (now disappeared) shown in the 1857 Salon. It was itself shown at the Paris 1863 Union Centrale Exposition. Originally known as 'L'Amour et L'Amitie' (Love and Friendship), it later became known as L'Amour se Confie a l'Amitie' (Love Confiding in Friendship). It typifies the adaptations of styles and themes of a century earlier popular during the 1860s. Many of Carrier-Belleuse's salon works were commercially reproduced by either his own studio or by companies such as Deniere, as is the case with this bronze.
Historical context
Albert-Ernest Carrier-Belleuse's bronzes and terracottas, finely produced under his supervision, were from 1868 sold in public auctions. His interest in industrial techniques and the decorative arts is seen in designs for goldsmiths and in a book of drawings, The Application of the human figure to industrial decoration and ornamentation (1884). He was involved with architectural sculpture to decorate Paris as rebuilt to Haussmann's plans.
Subjects depicted
Summary
This is a bronze group made by Albert Ernest Carrier-Belleuse (1824-1887) in France, about 1865. The group represents Love Confiding in Friendship and is a reduction in bronze from the original statuette (now disappeared) shown in the 1857 Salon. It was itself shown at the Paris 1863 Union Centrale Exposition. Originally known as 'L'Amour et L'Amitie' (Love and Friendship), it later became known as L'Amour se Confie a l'Amitie' (Love Confiding in Friendship). It typifies the adaptations of styles and themes of a century earlier popular during the 1860s. Many of Carrier- Belleuse's salon works were commercially reproduced by either his own studio or by companies such as Deniere, as is the case with this bronze. One of his assistants in modelling these pseudo-18th century pieces was Auguste Rodin, who was forced for lack of public recognition to earn a living in this way.

Carrier-Belleuse's bronzes and terracottas, finely produced under his supervision, were from 1868 sold in public auctions. His interest in industrial techniques and the decorative arts is seen in designs for goldsmiths and in a book of drawings, 'The Application of the Human Figure to Industrial Decoration and Ornamentation'. He was involved with architectural sculpture to decorate Paris as rebuilt to Haussmann's plans.


Bibliographic references
  • List of Objects in the Art Division, South Kensington, Acquired During the Year 1869, Arranged According to the Dates of Acquisition. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., p. 56
  • Hargrove, June Ellen, The Life and Work of Albert Carrier-Belleuse Garland Publishing (Outstanding Dissertations Series), New York and London, 1977, esp. pp. 38-39, and illust. No. 2
Collection
Accession number
752-1869

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Record createdMay 16, 2006
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