Vase thumbnail 1
Not currently on display at the V&A

Vase

1900 (made)
Artist/Maker
Place of origin

Georges Hoentschel (1855-1915) was an architect, sculptor and collector, as well as a ceramicist. he was born in the same year as his close friend Jean Carriès who was a great influence on his contemporaries, including Hoentschel, in his use of stoneware as an art material. Hoentschel enthusiastically followed Carriès to St Amand-en-Puisaye, adopting the potter's life in about 1888-90. He made this large jardinière in collaboration wirth a sculptor, Frederic Deschamps and it was donated to the Museum with a group of French furniture to represent the 'new art', otherwise known as art nouveau. As a collector, Hoentschel amassed French art from the middle ages to his own time. By 1908 he had sold the major proportion of the earlier pieces to J.Pierpoint Morgan, who subsequently presented them to the Metropolitan Museum in New York. Hoentschel donated his own collection of Carriès' ceramics to the French state in 1900 after the much-loved potter's early death. In 1904 Hoentschel was exhibiting his own ceramics in the international exhibition in St Louis and towards the end of his life he returned to Paris to work at a friend's studio until his death in 1915.


Object details

Categories
Object type
Materials and techniques
Stoneware, modelled in relief
Brief description
Vase, stoneware, designed and made by Georges Hoentschel, with modelling by F. Deschamps, France (Château Montriveau), 1900
Physical description
Jardinière, modelled in relief with hazel branches, nuts and foliage restrained by strapwork; green/grey matt glaze
Dimensions
  • Height: 72cm
  • Diameter: 65cm
Marks and inscriptions
'GH' in monogram, impressed
Gallery label
'American and European Art and Design 1800-1900' This vase, or jardinière, shown in the international exhibition in Paris, 1900, was included in the gift of furnishings to the Museum by George Donaldson, then Vice President of the Jury Awards for furniture at the exhibition, to represent what was described as the "New Art Phase". Hoentschel's earlier collaboration with Jean Carriès was vital for his development as a ceramicist. He trained as an architect and designer and his treatment of this most robust of the ceramic types was unusually monumental.(1987-2006)
Credit line
Given by Sir George Donaldson
Object history
This vase, or jardinière, shown in the international exhibition in Paris, 1900, was included in the gift of furnishings to the Museum by Sir George Donaldson, then Vice President of the Jury Awards for furniture at the exhibition, to represent what was described as the "New Art Phase".
Historical context
Hoentschel's earlier collaboration with Jean Carriès was regarded as pre-eminent. He trained as an architect and designer and his treatment of this most robust of the ceramic types was unusually monumental.
Summary
Georges Hoentschel (1855-1915) was an architect, sculptor and collector, as well as a ceramicist. he was born in the same year as his close friend Jean Carriès who was a great influence on his contemporaries, including Hoentschel, in his use of stoneware as an art material. Hoentschel enthusiastically followed Carriès to St Amand-en-Puisaye, adopting the potter's life in about 1888-90. He made this large jardinière in collaboration wirth a sculptor, Frederic Deschamps and it was donated to the Museum with a group of French furniture to represent the 'new art', otherwise known as art nouveau. As a collector, Hoentschel amassed French art from the middle ages to his own time. By 1908 he had sold the major proportion of the earlier pieces to J.Pierpoint Morgan, who subsequently presented them to the Metropolitan Museum in New York. Hoentschel donated his own collection of Carriès' ceramics to the French state in 1900 after the much-loved potter's early death. In 1904 Hoentschel was exhibiting his own ceramics in the international exhibition in St Louis and towards the end of his life he returned to Paris to work at a friend's studio until his death in 1915.
Bibliographic references
  • Architectural Review, Sept. 1901, p.104 (illus.) Molinier, Emile: les Objets d'Art aux Salons; Art et Décoration June 1901, p.192
  • Jervis, SSJ (ed): Art & Design in Europe & America 1800-1900; V&A, 1986, p.168
Collection
Accession number
2010-1900

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Record createdApril 27, 2006
Record URL
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