Brooch
1904-1906 (made)
Artist/Maker | |
Place of origin |
René Lalique was Art Nouveau's most important jeweller. He developed a new stylistic language based on sinuous interpretations of natural forms, and championed non-precious materials such as enamel, glass and horn. The resulting pieces were both dramatic and ethereal, and had a profound influence on other jewellers who went on to work in the Art Nouveau style.
Lalique underwent a conventional apprenticeship and later attended art school in England before working as a designer for well-known Parisian jewellery firms. During the 1890s he undertook an exhaustive programme of technical research into glass and enamel which led to his distinctive jewellery style. This brooch is an example of his inventive approach to these mediums. It draws strongly upon Japanese design, which was an important influence on Art Nouveau.
Lalique underwent a conventional apprenticeship and later attended art school in England before working as a designer for well-known Parisian jewellery firms. During the 1890s he undertook an exhaustive programme of technical research into glass and enamel which led to his distinctive jewellery style. This brooch is an example of his inventive approach to these mediums. It draws strongly upon Japanese design, which was an important influence on Art Nouveau.
Object details
Categories | |
Object type | |
Materials and techniques | Gold, enamel and fire opals |
Brief description | Gold brooch decorated with enamelled goldfish and two fire opals, designed by René Lalique and made in Paris, 1904-1906 |
Physical description | Gold brooch with three translucent enamelled goldfish; set with two fire opals. |
Dimensions |
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Style | |
Marks and inscriptions | 'LALIQUE' (signature) |
Credit line | Bequeathed by Sir Claude Phillips |
Subject depicted | |
Summary | René Lalique was Art Nouveau's most important jeweller. He developed a new stylistic language based on sinuous interpretations of natural forms, and championed non-precious materials such as enamel, glass and horn. The resulting pieces were both dramatic and ethereal, and had a profound influence on other jewellers who went on to work in the Art Nouveau style. Lalique underwent a conventional apprenticeship and later attended art school in England before working as a designer for well-known Parisian jewellery firms. During the 1890s he undertook an exhaustive programme of technical research into glass and enamel which led to his distinctive jewellery style. This brooch is an example of his inventive approach to these mediums. It draws strongly upon Japanese design, which was an important influence on Art Nouveau. |
Collection | |
Accession number | M.520-1924 |
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Record created | April 25, 2006 |
Record URL |
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