The Love Cup
Pendant
1907 (made)
1907 (made)
| Artist/Maker | |
| Place of origin |
The Scottish artist Phoebe Traquair created embroidery, murals and illuminated manuscripts as well as painted enamels. She distinguished between 'epic' (large-scale) work such as tapestries and wall painting, and 'lyric' (small-scale) work. In 1901 she began her apprenticeship in enamelling to Lady Gibson Carmichael at Castlecraig. From this time enamelling replaced book illustration as her favourite small-scale medium. She created vivid foiled enamel scenes, usually of mythical or spiritual subjects. Both her technique and designs were strongly influenced by medieval and Renaissance examples. Her jewellery, triptychs, caskets and mounted cups and covers, for instance, are all based on historical pieces.
Object details
| Categories | |
| Object type | |
| Title | The Love Cup |
| Materials and techniques | Painted enamel and gold |
| Brief description | Pendant of painted enamel set in gold, made by Phoebe Traquair, Edinburgh, 1907. |
| Physical description | Pendant with a painted enamel set in gold; 'The Love Cup' designed and made by Phoebe Traquair, 1907. The enamel panel depicts a central female figure holding a cup with four women either side of her. |
| Dimensions |
|
| Style | |
| Marks and inscriptions | Signed by the artist, titled and dated 1907 on the reverse. |
| Credit line | Given by Mrs H. V. Bartholomew |
| Subjects depicted | |
| Summary | The Scottish artist Phoebe Traquair created embroidery, murals and illuminated manuscripts as well as painted enamels. She distinguished between 'epic' (large-scale) work such as tapestries and wall painting, and 'lyric' (small-scale) work. In 1901 she began her apprenticeship in enamelling to Lady Gibson Carmichael at Castlecraig. From this time enamelling replaced book illustration as her favourite small-scale medium. She created vivid foiled enamel scenes, usually of mythical or spiritual subjects. Both her technique and designs were strongly influenced by medieval and Renaissance examples. Her jewellery, triptychs, caskets and mounted cups and covers, for instance, are all based on historical pieces. |
| Collection | |
| Accession number | M.194-1976 |
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| Record created | April 24, 2006 |
| Record URL |
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