Pendant
1906 (made)
| Artist/Maker | |
| Place of origin |
The Scottish artist Phoebe Traquair created embroidery, murals and illuminated manuscripts as well as painted enamels. She distinguished between 'epic' (large-scale) work such as tapestries and wall painting, and 'lyric' (small-scale) work. In 1901she began her apprenticeship in enamelling to Lady Gibson Carmichael at Castlecraig. From this time enamelling replaced book illustration as her favourite small-scale medium. She created vivid foiled enamel scenes, usually of mythical or spiritual subjects. Both her technique and designs were strongly influenced by medieval and Renaissance examples. Her jewellery, triptychs, caskets and mounted cups and covers, for instance, are all based on historical pieces.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Double-sided enamelled gold |
| Brief description | Pendant of enamelled gold, designed and made by Phoebe Traquair, Edinburgh, 1906. |
| Physical description | Pendant of gold with a double-sided enamelled representation of the Virgin and Child against a cross. Designed and made by Phoebe Anna Traquair. Signed on the reverse of the enamel with the artist's initials, PAT, and dated 1906. |
| Dimensions |
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| Style | |
| Marks and inscriptions | 'PAT'/'1906' (Signed on the reverse of the enamel PAT and dated 1906.) |
| Credit line | Given by Mrs H. V. Bartholomew |
| Subjects depicted | |
| Summary | The Scottish artist Phoebe Traquair created embroidery, murals and illuminated manuscripts as well as painted enamels. She distinguished between 'epic' (large-scale) work such as tapestries and wall painting, and 'lyric' (small-scale) work. In 1901she began her apprenticeship in enamelling to Lady Gibson Carmichael at Castlecraig. From this time enamelling replaced book illustration as her favourite small-scale medium. She created vivid foiled enamel scenes, usually of mythical or spiritual subjects. Both her technique and designs were strongly influenced by medieval and Renaissance examples. Her jewellery, triptychs, caskets and mounted cups and covers, for instance, are all based on historical pieces. |
| Collection | |
| Accession number | M.193-1976 |
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| Record created | April 19, 2006 |
| Record URL |
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