Bracelet thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Jewellery, Rooms 91 to 93 mezzanine, The William and Judith Bollinger Gallery

Bracelet

1785-1786 (made)
Artist/Maker
Place of origin

Memorial jewellery to honour the dead is one of the largest categories of 18th- century jewellery to survive. Many mourning jewels have inscriptions that record the name and dates of the dead person.

From 1760 there was a new vogue for memorial medallions or lockets. These became especially popular in Britain, though similar work was produced throughout Europe.

The lockets could be bought ready made, and the designs were standardised. Neo-classical motifs of funerary urns, plinths and obelisks joined the more traditional cherubs, angels and weeping willows. Hair was preserved as curls within the locket, or cut up and used to create designs.


Object details

Categories
Object type
Materials and techniques
Engraved gold set with hair
Brief description
Engraved gold locket or brooch with a frame enclosing plaited hair and a shield with an urn bearing the initials RM. The reverse is inscribed ROBT MULLIGAN OB. 16 DECR 1785 AET60, England, 1785-6
Physical description
Engraved gold locket or brooch with a frame enclosing plaited hair and a shield with an urn bearing the initials RM. The reverse is inscribed ROBT MULLIGAN OB. 16 DECR 1785 AET60
Dimensions
  • Height: 3.7cm
  • Width: 2cm
  • Depth: 0.8cm
Marks and inscriptions
  • inscribed ROBT MULLIGAN OB. 16 DECR 1785 AET60 (The reverse;)
  • initialled RM. (shield with an urn)
Object history
Part of a group of memorial and mourning jewels bought from Dr Marco Guastalla, acting on behalf of 'an English lady residing in Italy' (museum numbers 846-1888 to 989-1888)
Subjects depicted
Summary
Memorial jewellery to honour the dead is one of the largest categories of 18th- century jewellery to survive. Many mourning jewels have inscriptions that record the name and dates of the dead person.

From 1760 there was a new vogue for memorial medallions or lockets. These became especially popular in Britain, though similar work was produced throughout Europe.

The lockets could be bought ready made, and the designs were standardised. Neo-classical motifs of funerary urns, plinths and obelisks joined the more traditional cherubs, angels and weeping willows. Hair was preserved as curls within the locket, or cut up and used to create designs.
Collection
Accession number
976-1888

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Record createdApril 7, 2006
Record URL
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