Not currently on display at the V&A

Costume design for 'King Lear'

Costume Design
1955 (made)
Artist/Maker
Place of origin

Costume design by Isamu Noguchi for George Devine as Gloucester in Shakespeare's play, King Lear, Shakespeare Memorial Theatre Company, Palace Theatre, London, and European tour, 1955.

Japanese-American artist Isamu Noguchi (1904-1988) was primarily a sculptor, although he was also known for designing the settings for the dance works of American modern-dance pioneer, Martha Graham. When he was commissioned to design King Lear for the Shakespeare Memorial Theatre Company in 1955, he had little experience of costume. However director George Devine and his leading actor, John Gielgud, had been impressed by Noguchi’s work for Graham. They believed that he could create appropriate designs for a stylised staging of Shakespeare's play, which, according to the programme note, ‘would be free of historical or decorative associations so that the timeless, universal and mythical quality of the story may be clear.’

Instead of painting or sketching his costume designs, Noguchi produced little paper figures. Though subsequently mounted on paper with the makers’ notes and instructions added, the figures were designed to stand upright, and the wire strut that supported each one is still attached.

Noguchi’s designs baffled audiences, and the London press wrote of a ‘science fiction’ production which distracted from the play.


Object details

Categories
Object type
TitleCostume design for 'King Lear' (generic title)
Materials and techniques
Paper collage with pencil, watercolour, and wire
Brief description
Costume design by Isamu Noguchi for George Devine as Gloucester in Shakespeare's play King Lear, Shakespeare Memorial Theatre Company, Palace Theatre, London, and European tour, 1955
Physical description
Cut out paper figure attached to a metal wire strut, in brown all-overs covering lower chest and legs, with bands of grey and blue and an off-white 'drape' cut from paper around the waist and right leg; the figure attached to an annotated sheet of paper.
Object history
The design was created by Isamu Noguchi for the Shakespeare Memorial Theatre Company's 1955 touring production of Shakespeare's King Lear. The play was directed by George Devine, with John Gielgud as Lear. The production opened in Brighton on 6 June, then visited festivals in Vienna, Zurich, The Hague, Amsterdam, Rotterdam, Berlin and Copenhagen, before playing at London's Palace Theatre, 21 July to 17 September. It then went to Hanover, Bremen, Hamburg, Oslo, Newcastle-upon-Tyne, Edinburgh, Glasgow, Manchester, Liverpool, and finally came to the Shakespeare Memorial Theatre at Stratford-upon-Avon, 29 November to 17 December.

The costumes were made by Carl Bonn and Colin Mackenzie.
Summary
Costume design by Isamu Noguchi for George Devine as Gloucester in Shakespeare's play, King Lear, Shakespeare Memorial Theatre Company, Palace Theatre, London, and European tour, 1955.

Japanese-American artist Isamu Noguchi (1904-1988) was primarily a sculptor, although he was also known for designing the settings for the dance works of American modern-dance pioneer, Martha Graham. When he was commissioned to design King Lear for the Shakespeare Memorial Theatre Company in 1955, he had little experience of costume. However director George Devine and his leading actor, John Gielgud, had been impressed by Noguchi’s work for Graham. They believed that he could create appropriate designs for a stylised staging of Shakespeare's play, which, according to the programme note, ‘would be free of historical or decorative associations so that the timeless, universal and mythical quality of the story may be clear.’

Instead of painting or sketching his costume designs, Noguchi produced little paper figures. Though subsequently mounted on paper with the makers’ notes and instructions added, the figures were designed to stand upright, and the wire strut that supported each one is still attached.

Noguchi’s designs baffled audiences, and the London press wrote of a ‘science fiction’ production which distracted from the play.
Collection
Accession number
CIRC.70-1960

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Record createdMay 12, 2011
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