Ring thumbnail 1
Ring thumbnail 2
Not currently on display at the V&A

Ring

1200-1300 (made)
Artist/Maker
Place of origin

This ring forms part of a collection of over 600 rings and engraved gems from the collection of Edmund Waterton (1830-81). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899.

Edmund Waterton used the fortune which was made by his family’s involvement in the British Guiana sugar plantations to put his collection together. His grandfather owned a plantation known as Walton Hall and his father, Charles Waterton, went to Guiana as a young man to help run La Jalousie and Fellowship, plantations which belonged to his uncles. When slavery was abolished in the British territories, Charles Waterton claimed £16283 6s 7d in government compensation and was recorded as having 300 slaves on the Walton Hall estate.


Object details

Categories
Object type
Materials and techniques
Gold; sapphire
Brief description
Gold ring of stirrup type, set with a sapphire, West Europe, 13th century
Physical description
Gold finger ring with stirrup-shaped hoop, set with a sapphire.
Dimensions
  • Height: 2.7cm
  • Width: 2.1cm
  • Depth: 0.4cm
Object history
ex Waterton Collection
Summary
This ring forms part of a collection of over 600 rings and engraved gems from the collection of Edmund Waterton (1830-81). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899.

Edmund Waterton used the fortune which was made by his family’s involvement in the British Guiana sugar plantations to put his collection together. His grandfather owned a plantation known as Walton Hall and his father, Charles Waterton, went to Guiana as a young man to help run La Jalousie and Fellowship, plantations which belonged to his uncles. When slavery was abolished in the British territories, Charles Waterton claimed £16283 6s 7d in government compensation and was recorded as having 300 slaves on the Walton Hall estate.
Bibliographic references
  • Campbell, M., Medieval Jewellery in Europe 1100-1500, London, V&A Publishing, 2009, p. 72, fig. 73e
  • 'British Guiana 2426 (Walton Hall)', Legacies of British Slave-ownership database, http://web.archive.org/web/20221205150942/http://wwwdepts-live.ucl.ac.uk/lbs/claim/view/7157
  • Waterton, Edmund Dactyliotheca Watertoniana: a descriptive catalogue of the finger-rings in the collection of Mrs Waterton, (manuscript, 1866, now in National Art Library)
  • Oman, Charles, Catalogue of rings in the Victoria and Albert Museum, London, 1930, reprinted Ipswich, 1993
Collection
Accession number
634-1871

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Record createdMarch 15, 2006
Record URL
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