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Explanatory text about the timekeeper at Shao dances at the offering of sacrifices

Illustrated Manuscript
1736-1795 (made)
Artist/Maker
Place of origin

The Illustrated Regulations for Ceremonial Paraphernalia of the Present Dynasty is an illustrated manuscript commissioned by the Qianlong Emperor (reigned 1736-1795). The main body of the commission began in 1750 and was completed in 1759. It was a conclusion of the Emperor's decade-long efforts to regulate the ritual codes and procedures as a means of ruling since his enthronement.

The page bears an explanatory text about the Timekeeper at Shao dances at the offering of sacrifices. The text is arranged in 12 columns.

As a major imperial commission, the book is of monumental scale. As many as 27 court painters and calligraphers were working on the commission under five editors-in-chief, Yilu (1695-1767), Jiang Pu (1708-1761), Wang Youdun (1692-1758), Guanbao (?-1776) and He Guozong (?-1766).

After editing and further expansion, the manuscript was printed by the Palace Publications Office in the Wuying Palace in 1766 It was finally included as part of the Four Treasures imperial library project in 1773. For that purpose seven copies were produced and stored in libraries across the empire.

The book consists of six parts - ceremonial vessels, scientific equipments, dress, musical instruments, insignia and weaponry. They contain more than 1300 leaves of illustrations and explanatory texts.

The V&A’s collection of the manuscript is incomplete. All its leaves, together with those in the British Library, in the National Museums of Scotland and in the National Museum of Ireland, may have been part of the version kept in the Wenyuan Pavilion library in the Yuanming yuan Summer Palace, Beijing.


Object details

Categories
Object type
TitleExplanatory text about the timekeeper at Shao dances at the offering of sacrifices (generic title)
Materials and techniques
Ink on silk
Brief description
Page of the illustrated manuscript "The Illustrated Regulations for Ceremonial Paraphernalia of the Present Dynasty." It bears an explanatory text about the Timekeeper at Shao dances at the offering of sacrifices.
Physical description
A page of "The Illustrated Regulations for Ceremonial Paraphernalia of the Present Dynasty", an illustrated manuscript commissioned by the Qianlong Emperor (r.1736-1795). The book consists of six parts - ceremonial vessels, scientific equipments, dress, musical instruments, insignia, and weaponry, containing more than 1300 leaves of illustrations and explanatory texts. The page bears an explanatory text about the Timekeeper at Shao dances at the offering of sacrifices. The text is arranged in twelve columns.
Dimensions
  • Height: 42.3cm
Style
Marks and inscriptions
Translation
'The Timekeeper at Shao dances at the offering of sacrifices is carefully designed in accordance with the section on the banner-men in the chapters on the 'Spring Officials' in the Zhou Ritual. According to Zheng Kangcheng's commentary the banners were cows' tails, and were held by the dancers to mark the time. In Ma Duanlin's 'Wenxian tongkao' and the 'Er ya' it is stated that to harmonise music was called Jie, i.e. to keep time or timekeeper. The sound of the above music was regulated by a drum, and the manner of the music was regulated by a timekeeper. In this way formerly at the dances two men held timekeepers, and this practice has continued until the present time. During the present Dynasty it was ordained that the timekeepers should be made of connected tail-banners, with a red pole seven feet two inches and nine-tenths in length, and three inches two-tenths and seven-hundredths round. The crook at the end which is plated with gold and ornamented with Dragon's head, is nine inches seven-tenths and two-hundredths long. The tails which are bound round are nine in number, each six inches four-tenths and eight-hundredths long, and are covered with gold leaves and are tied with green leather bands each five inches seven-tenths and six-hundredths long. The tassels are seven inches two-tenths and nine-hundredths long. The Bandmaster holds this timekeeper in front. It is always used at the civil and military dances, at the Imperial Altars, and the Temples.'
Object history
Purchased from Walter H Harris and accessioned in 1896. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project. A letter from Mr Harris in the V&A archive files states that the leaves were 'taken from the Summer Palace in Pekin' a reference to the Yuanming yuan, the imperial summer retreat located north of Beijing, which was plundered and destroyed by British and French troops during the Second Opium War in 1860. There is no further information in the file as to how Mr Harris acquired the leaves.

The main body of the manuscript commission began in 1750 and it was completed in 1759. As many as twenty-seven court painters and calligraphers were working on the commission under five editors-in-chief, Yilu (1695-1767), Jiang Pu (178-1761), Wang Youdun (1692-1758), Guanbao (?-1776) and He Guozong (?-1766). After editing and further expansion in the ensuing years, the manuscript was printed by the Palace Publications Office in the Wuying Palace in 1766, and it was finally included as part of the Four Treasures imperial library project in 1773. For that purpose seven versions in total were produced and stored in libraries across the empire.

The museum's collection of the manuscript is incomplete. All its leaves, together with those in the British Library, in the National Museums of Scotland and in the National Museum of Ireland, may have been part of the version kept in the Wenyuan Pavilion library in the Yuanming Yuan (Summer Palace), Beijing.

These pages belong to the first of four groups of leaves from the manuscript acquired by the museum.
Production
Reason For Production: Commission
Subjects depicted
Summary
The Illustrated Regulations for Ceremonial Paraphernalia of the Present Dynasty is an illustrated manuscript commissioned by the Qianlong Emperor (reigned 1736-1795). The main body of the commission began in 1750 and was completed in 1759. It was a conclusion of the Emperor's decade-long efforts to regulate the ritual codes and procedures as a means of ruling since his enthronement.

The page bears an explanatory text about the Timekeeper at Shao dances at the offering of sacrifices. The text is arranged in 12 columns.

As a major imperial commission, the book is of monumental scale. As many as 27 court painters and calligraphers were working on the commission under five editors-in-chief, Yilu (1695-1767), Jiang Pu (1708-1761), Wang Youdun (1692-1758), Guanbao (?-1776) and He Guozong (?-1766).

After editing and further expansion, the manuscript was printed by the Palace Publications Office in the Wuying Palace in 1766 It was finally included as part of the Four Treasures imperial library project in 1773. For that purpose seven copies were produced and stored in libraries across the empire.

The book consists of six parts - ceremonial vessels, scientific equipments, dress, musical instruments, insignia and weaponry. They contain more than 1300 leaves of illustrations and explanatory texts.

The V&A’s collection of the manuscript is incomplete. All its leaves, together with those in the British Library, in the National Museums of Scotland and in the National Museum of Ireland, may have been part of the version kept in the Wenyuan Pavilion library in the Yuanming yuan Summer Palace, Beijing.
Bibliographic reference
Medley, Margret. "'The Illustrated Regulations for Ceremonial Paraphernalia of the Ch'ing Dynasty' in the Victoria and Albert Museum." in Transactionsof the Oriental Ceramic Society, vol.31, 1957/59, pp.95-105. Liu, Lu. "An Illustrated Manual for Regulating the Qing Society: A Discussion of Several Issues Relating to 'Huangchao liqi tushi'." in Palace Museum Journal (Beijing), no.4. 2004, pp.130-44.
Collection
Accession number
832A-1896

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Record createdFebruary 27, 2006
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