Signet Ring
1500-1550 (made)
Artist/Maker | |
Place of origin |
A seal or signet ring was used to apply the wearer's personal mark to the sealing wax on a document. The seal then denoted the legality of the document and the identification of the issuing authority or individual. The ring could be engraved with a coat of arms, if the owner was entitled to use one, or with a personal initial, a merchant's mark or as in this ring, a rebus which spelled out the owner's name. The letters 'wy' and 'ot' are engraved either side of a tree, perhaps an elm. The capital letter R is at the base of the tree. This may perhaps be read as R. Wylmot, the person for whom the ring was made.
This ring forms part of a collection of 760 rings and engraved gems from the collection of Edmund Waterton (1830-87). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899.
This ring forms part of a collection of 760 rings and engraved gems from the collection of Edmund Waterton (1830-87). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899.
Object details
Categories | |
Object type | |
Materials and techniques | Gold, engraved |
Brief description | Gold signet ring with a circular bezel engraved with a rebus (a tree, perhaps an elm) between 'wy' and 'ot' with 'r' below in black lettering, made in England, 1500-50. |
Physical description | Gold signet ring with a circular bezel engraved with a rebus (a tree, perhaps an elm) between 'wy' and 'ot' with 'r' below in black lettering, possibly for R. Wylmot. |
Dimensions |
|
Marks and inscriptions | A rebus (a tree, perhaps an elm), between 'wy' and 'ot' with 'r' below (Inscribed in black lettering, possibly for R. Wylmot.) |
Object history | Ex Waterton Collection, from the Coleby Hall Sale, held after the death of Charles Mainwaring, 7 Oct. 1850. Described by Waterton in the Dactyliotheca as "Massive gold signet, device a tree on the foot of which is a capital R: on one side of the tree wy and on the other ot. Supposing the tree to be an elm the rebus resolves itself with the name R. wy-elm-ot or Wylmot. From the Coleby Hall sale, XV cent. " Results of the sale listed in Lincolnshire Notes & Queries, Volumes 22-24, 1932. |
Subjects depicted | |
Summary | A seal or signet ring was used to apply the wearer's personal mark to the sealing wax on a document. The seal then denoted the legality of the document and the identification of the issuing authority or individual. The ring could be engraved with a coat of arms, if the owner was entitled to use one, or with a personal initial, a merchant's mark or as in this ring, a rebus which spelled out the owner's name. The letters 'wy' and 'ot' are engraved either side of a tree, perhaps an elm. The capital letter R is at the base of the tree. This may perhaps be read as R. Wylmot, the person for whom the ring was made. This ring forms part of a collection of 760 rings and engraved gems from the collection of Edmund Waterton (1830-87). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899. |
Bibliographic references |
|
Collection | |
Accession number | 794-1871 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | February 15, 2006 |
Record URL |
Download as: JSONIIIF Manifest