Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case 3H, Shelf 3

Ausstellung deutsche Gebrauchsgraphik

Poster
ca. 1955 (printed)
Artist/Maker
Place of origin

The graphic designer Armin Hofmann (born 1920 ) was a leading proponent of the International Typographic Style which emerged in Switzerland in the 1950s and went on to have a global impact on graphic design. It was a style characterised by a strong reliance on typographic elements and the use of sans serif typeface. In his posters, Hofmann uses restricted colours and forms and approaches typography as an integral part of the overall design expression - not just a means of transmitting literal information. Hofmann became well known for his work for cultural institutions in Basel and his style became synonymous with the institutions it was used to promote.


Object details

Categories
Object type
TitleAusstellung deutsche Gebrauchsgraphik (generic title)
Materials and techniques
Linocut on paper
Brief description
Poster advertising the exhibition 'Ausstellung deutsche Gebrauchsgraphik' by Armin Hofmann, Switzerland, ca. 1955
Physical description
Poster advertising a graphic design exhibition. Red linocut design on white paper showing a stylised representation of fountain pen nib, a bottle of ink and a pencil tip.
Dimensions
  • Height: 67.5cm
  • Width: 90.5cm
Gallery label
Hofmann was leading designer in the International Typographic Style which emerged in Switzerland in the 1950s and had a global impact on graphic design. He limited his use of colour, and integrated the typography as a design feature, not simply a means of transmitting information. This poster for a graphic design exhibition shows stylised pens and pencils.(11/09/2017)
Credit line
Purchased through the Julie and Robert Breckman Print Fund
Subjects depicted
Summary
The graphic designer Armin Hofmann (born 1920 ) was a leading proponent of the International Typographic Style which emerged in Switzerland in the 1950s and went on to have a global impact on graphic design. It was a style characterised by a strong reliance on typographic elements and the use of sans serif typeface. In his posters, Hofmann uses restricted colours and forms and approaches typography as an integral part of the overall design expression - not just a means of transmitting literal information. Hofmann became well known for his work for cultural institutions in Basel and his style became synonymous with the institutions it was used to promote.
Collection
Accession number
E.5-2006

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdFebruary 9, 2006
Record URL
Download as: JSON