Evening Ensemble thumbnail 1
Evening Ensemble thumbnail 2
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This object consists of 4 parts, some of which may be located elsewhere.

Evening Ensemble

ca. 1954 (made)
Artist/Maker
Place of origin

The dominance of full, bell-shaped skirts in the 1950s was challenged occasionally by the slender sheath dress. This dark green 'femme fatale' dress was designed by the London couturier Digby Morton (1906-83).

Morton originally trained as an architect, and his eye for structure and intricate design is evident in most of his clothing. This dress has an understructure of pleated silk taffeta to ensure that it falls correctly.

Object details

Categories
Object type
Parts
This object consists of 4 parts.

  • Glove
  • Glove
  • Ornament
  • Dress
Materials and techniques
Silk jersey and silk taffeta flounce, with crêpe de Chine, and velvet
Brief description
Evening ensemble with silk jersey dress, velvet ornament and a pair silk jersey gloves, designed by Digby Morton, London, ca. 1954.
Physical description
Evening ensemble consisting of a dress, ornament and a pair of gloves.
Production typeHaute couture
Marks and inscriptions
  • Label 'Digby Morton, Grosvenor Hill, London, W.1' (Label)
  • 'Mrs H. Robertson N2 26 57'
Gallery label
(22/09/2007-06/01/2008)
Evening dress
Digby Morton (1906-83)
London
About 1954

The poisonous dark green of this 'femme fatale' dress is emphasised by a posy of black velvet violets.

Silk jersey with silk taffeta flounce, with underskirt of crêpe de Chine and matching silk jersey gloves

Given by Lady Howard Robertson
V&A: T.278&A to C-1975
Credit line
Given by Lady Howard Robertson
Object history
Given by Lady Howard Robertson, 59 Montague Square, London, W.1. on September 19 1975.
Subject depicted
Summary
The dominance of full, bell-shaped skirts in the 1950s was challenged occasionally by the slender sheath dress. This dark green 'femme fatale' dress was designed by the London couturier Digby Morton (1906-83).

Morton originally trained as an architect, and his eye for structure and intricate design is evident in most of his clothing. This dress has an understructure of pleated silk taffeta to ensure that it falls correctly.
Bibliographic reference
Wilcox, C., 'Dior's Golden Age' in Wilcox, C., ed., The Golden Age of Couture: Paris and London 1947-57 (V&A Publications, 2007), pl.2.17
Collection
Accession number
T.278 to C-1975

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Record createdFebruary 1, 2006
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