Holly Trumpet Form with undercut rim thumbnail 1
Holly Trumpet Form with undercut rim thumbnail 2
Not currently on display at the V&A

Holly Trumpet Form with undercut rim

Turned Wood Vessel
1995 (turned)
Artist/Maker
Place of origin

'I aim, with my work, to extend the boundaries of traditional turning techniques and to, hopefully, alter the preconceived notions of what turned wood should be.' - Steve Howlett.

Steve Howlett made this vessel by lathe-turning a solid piece of unseasoned holly until it was only two or three millimetres thick. Because the timber was unseasoned it continued to dry for several weeks after it was turned. Howlett explained that "uniform growth rings and straight grain will result in an even distortion, wild grain produces wild distortion. How the wood is aligned on the lathe initially will determine whether the distortion of form will be symmetrical or asymmetric." The final form recalls the shapes of trumpet flowers as well as being a celebration of the possibilities of shaping wood.


Object details

Category
Object type
TitleHolly Trumpet Form with undercut rim (assigned by artist)
Materials and techniques
Lathe-turned unseasoned holly, stained
Brief description
'Holly Trumpet Form with undercut rim', lathe-turned wood vessel, Steve Howlett, Wales (Dyfed), 1995
Physical description
Free-form vessel, lathe-turned from unseasoned holly wood and ferrous stained, with a slender base flaring into a broad rim that turns down at its extreme edge.
Dimensions
  • Height: 150mm
  • Width: 190mm
  • Depth: 160mm
Dimensions taken from register. Because the object is distorted the dimensions are approximate.
Production typeUnique
Marks and inscriptions
Interlinked S J H (Burnt into base of vessel)
Summary
'I aim, with my work, to extend the boundaries of traditional turning techniques and to, hopefully, alter the preconceived notions of what turned wood should be.' - Steve Howlett.

Steve Howlett made this vessel by lathe-turning a solid piece of unseasoned holly until it was only two or three millimetres thick. Because the timber was unseasoned it continued to dry for several weeks after it was turned. Howlett explained that "uniform growth rings and straight grain will result in an even distortion, wild grain produces wild distortion. How the wood is aligned on the lathe initially will determine whether the distortion of form will be symmetrical or asymmetric." The final form recalls the shapes of trumpet flowers as well as being a celebration of the possibilities of shaping wood.
Collection
Accession number
W.19-1995

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Record createdJanuary 17, 2006
Record URL
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