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Zeno Writing

  • Object:

    Print

  • Place of origin:

    New York (printed)

  • Date:

    2002 (made)

  • Artist/Maker:

    Kentridge, William, born 1955 (artist)
    Hemminghaus, Randy (printer)
    Galamander Press (printer)

  • Materials and Techniques:

    Photogravure etching and drypoint on paper

  • Credit Line:

    Purchased through the Julie and Robert Breckman Print Fund

  • Museum number:

    E.133-2005

  • Gallery location:

    Prints & Drawings Study Room, level E, case MP, shelf 131, box A

The work of white South African artist William Kentridge is rooted in his opposition to apartheid. In 2002 he made a series of prints based on the novel Confessions of Zeno (1923), by Italo Svevo. One of the earliest novels to be written as if from the psychiatrist’s couch, Confessions of Zeno manifests the guilt-ridden soul that Kentridge explores in earlier works addressing the apartheid regime. The novel centres on a middle-class businessman in Trieste in the years immediately before the First World War, reduced to bankruptcy when he goes into business with his feckless brother-in-law. This impending disaster echoes the wider political one, although much of the narrative revolves around the households of Zeno and his wife’s family.

In Kentridge’s series the ‘confessions’, which take the form of abstract but calligraphic lines, trail over the surface of the things described: bowler-hatted puppets (businessmen perhaps?) and weird megaphone-like instruments confront one another in empty landscapes; a lion stalks the bars of its cage. In this scene the furniture itself seems to have come alive, suggesting the powerful position that our homes and our domestic possessions hold in our lives.

Physical description

Scene in a room or on a stage? Three chairs and a small table. Chairs not square on the floor and two of them appear to have two legs off the floor; the legs of the third curved in a lively way. What appear to be ropes or strings hanging in loops over the front of the 'stage' and other lines drawn over the chairs, suggest writing over the main image, this enhanced by the linear patterns made by three candelabra suspended from the ceiling of the room.

Place of Origin

New York (printed)

Date

2002 (made)

Artist/maker

Kentridge, William, born 1955 (artist)
Hemminghaus, Randy (printer)
Galamander Press (printer)

Materials and Techniques

Photogravure etching and drypoint on paper

Marks and inscriptions

'WKentridge'
Signed in pencil below image to the right

'23/30'
Inscribed in pencil below the image to the left

Dimensions

Height: 50.4 cm sheet, Width: 65.5 cm sheet, Height: 35.2 cm printed surface, Width: 48.6 cm printed surface

Descriptive line

William Kentridge: plate from the suite 'Zeno Writing', 2002, based on the book 'Confessions of Zeno' by Italo Svevo. Photogravure, etching and drypoint

Production Note

A talk on photogravure given by Randy Hemminghaus, master printer, at Witwatersrand University c.2002, to a group of local artists, inspired Kentridge to use the technique as the basis for the 'Zeno Writing' suite.

Reason For Production: Retail

Materials

Printing ink; Paper

Techniques

Etching; Drypoint; Photogravure

Subjects depicted

Conversation; Chairs; Domesticity; Animation (theatrical); Theatre

Categories

Furniture; Interiors; Prints

Production Type

Limited edition

Collection

Prints, Drawings & Paintings Collection

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