Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 145

Wine Cooler

ca. 1805-1810 (made)
Artist/Maker
Place of origin

This wine cooler is a bold and very unusual example of the Egyptian revival of the early 19th century. Its technique is also very interesting, as transfer-printing is rarely found on low-fired terracotta. Terracotta was used for wine coolers because of its porosity, which enabled the coolers to be immersed in chilled water before use. A royal order placed with Davenport in 1807 included ‘24 Egyptian porouse Wine Coolers, Embossed & C’ at 10s 6d each, but these are thought to have been painted (rather than transfer-printed, as here).

Davenport was one of the big four English ceramic firms during the early-mid 19th century, alongside Minton, Spode and Wedgwood, and was generally at the cutting edge of design, but not always innovative in terms of materials and techniques. However, the firm left no archive, and in part because it did not pioneer a new ceramic material with which the factory’s name became synonymous (as with Wedgwood with Jasper and Minton with Majolica), and because it left no archive, its importance was largely forgotten until the 1970s.


Object details

Categories
Object type
Materials and techniques
Terracotta, thrown, with moulded handles, painted in brown enamel and transfer-printed in black
Brief description
Wine cooler, terracotta painted in enamels and transfer-printed with Egyptian motifs, Davenport's factory, Longport, ca. 1805-1810
Physical description
Barrel-shaped, with handles formed as grotesque dolphin masks; the uppermost part of the body is painted in brown enamel with a band of crude Greek key fret ornament; the central portion of the body is transfer-printed in black with Egyptian motifs; and the lower part is banded top and bottom in brown.
Dimensions
  • Maximum diameter: 19cm
  • Across handles width: 24cm
  • Height: 24.2cm
Style
Marks and inscriptions
No factory mark. Impresed workman's mark 'O' and painter's mark 'x' in brown enamel. (Erroneously catalogued as bearing the Davenport factory mark (Bonhams, London, 21 September 2005, lot 47).)
Credit line
Given by the American Friends of the V&A Museum through the generosity of Judy Novak
Object history
Bought from the Joyce Mountain Collection (Bonhams, London, 21 September 2005).
Subjects depicted
Summary
This wine cooler is a bold and very unusual example of the Egyptian revival of the early 19th century. Its technique is also very interesting, as transfer-printing is rarely found on low-fired terracotta. Terracotta was used for wine coolers because of its porosity, which enabled the coolers to be immersed in chilled water before use. A royal order placed with Davenport in 1807 included ‘24 Egyptian porouse Wine Coolers, Embossed & C’ at 10s 6d each, but these are thought to have been painted (rather than transfer-printed, as here).

Davenport was one of the big four English ceramic firms during the early-mid 19th century, alongside Minton, Spode and Wedgwood, and was generally at the cutting edge of design, but not always innovative in terms of materials and techniques. However, the firm left no archive, and in part because it did not pioneer a new ceramic material with which the factory’s name became synonymous (as with Wedgwood with Jasper and Minton with Majolica), and because it left no archive, its importance was largely forgotten until the 1970s.
Bibliographic reference
For similar examples from the Davenport factory, see G. Godden and T. Lockett's, Davenport: China, Earthenware and Glass, 1794-1887 (1989), p. 106.
Collection
Accession number
C.65-2005

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Record createdJanuary 3, 2006
Record URL
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