Mould thumbnail 1
Not currently on display at the V&A

Mould

19th century (made)
Artist/Maker
Place of origin

This fine example of the carver's art is a mould for decorative relief, of the kind used to adorn panelling, ceilings, fireplaces and door surrounds. The shallow carving, without a retaining lip, indicates that this mould was for making a length of ornamentation that would have resembled a chain, rather than a band. This was probably used to decorate a panel. Although these discs are reminiscent of the neo-classical motifs of the 18th century, it is more likely that this mould was carved during the 19th century when the neo-classical style was revived.

Different mixtures of whiting, glue and gum arabic, known as 'composition', were pressed into the boxwood mould to make crisp, detailed mouldings that were light and easy to apply to a ceiling or wall. For larger mouldings paper pulp or some kind of textile were added to provide body. The development of moulded composition ornament brought about a decline in the number of professional woodcarvers needed for decorating interiors. Skilled carvers, however, were still very much in demand for the production of perfect moulds.

This piece is part of a large collection of moulds and carvings once owned by George Jackson & Sons, a London firm specialising in decorative plasterwork. Established in 1780, Jackson's were reputed to have produced neo-classical mouldings for interiors designed by the Adam brothers, such as those at Croome Court in Worcestershire. Later Jackson projects included work on the Royal Pavilion at Brighton, Buckingham Palace and several Cunard liners.

This repeating pattern of overlapping discs is known as coin or money moulding and was a popular motif in neo-classical interiors.


Object details

Categories
Object type
Materials and techniques
Carved boxwood
Brief description
Boxwood mould for plasterwork, 19th century, English (George Jackson & Sons Ltd. collection)
Physical description
Carved boxwood mould with a repeating linear design of circular motifs
Style
Credit line
Given by Clark and Fenn Ltd.
Production
The firm from which the V&A acquired this mould, George Jackson & Sons Ltd, was based in London until its move to Mitcham, Surrey in 1988.
Subject depicted
Summary
This fine example of the carver's art is a mould for decorative relief, of the kind used to adorn panelling, ceilings, fireplaces and door surrounds. The shallow carving, without a retaining lip, indicates that this mould was for making a length of ornamentation that would have resembled a chain, rather than a band. This was probably used to decorate a panel. Although these discs are reminiscent of the neo-classical motifs of the 18th century, it is more likely that this mould was carved during the 19th century when the neo-classical style was revived.

Different mixtures of whiting, glue and gum arabic, known as 'composition', were pressed into the boxwood mould to make crisp, detailed mouldings that were light and easy to apply to a ceiling or wall. For larger mouldings paper pulp or some kind of textile were added to provide body. The development of moulded composition ornament brought about a decline in the number of professional woodcarvers needed for decorating interiors. Skilled carvers, however, were still very much in demand for the production of perfect moulds.

This piece is part of a large collection of moulds and carvings once owned by George Jackson & Sons, a London firm specialising in decorative plasterwork. Established in 1780, Jackson's were reputed to have produced neo-classical mouldings for interiors designed by the Adam brothers, such as those at Croome Court in Worcestershire. Later Jackson projects included work on the Royal Pavilion at Brighton, Buckingham Palace and several Cunard liners.

This repeating pattern of overlapping discs is known as coin or money moulding and was a popular motif in neo-classical interiors.
Collection
Accession number
W.271-1989

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Record createdDecember 29, 2005
Record URL
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