Brush Drawing
ca. 1820 (made)
Artist/Maker | |
Place of origin |
The holy men shown in this brush drawing belong to a sect called the Nath yogis. They are also known as kanphata ('split ear') yogis as they wear distinctively large circular ear-rings, which are visible in the painting. This group of yogis is shown in a mountainous setting, where they are listening to the preaching of one of their early preceptors. Maharaja Man Singh of Jodhpur (ruled 1803-43) was a devotee of this sect, as he believed one of their leaders had helped him occupy the throne. His court artists were therefore commissioned to paint a great many images of the Naths and their leaders. This sketch may be a preparatory drawing for one of the beautifully painted sets of Nath scriptures that Man Singh had painted.
Object details
Categories | |
Object type | |
Materials and techniques | Painted in watercolour on paper |
Brief description | Painting, gathering of nath yogis, watercolour on paper, Jodhpur, ca. 1820 |
Physical description | Painting, watercolour on paper, of a group of nath yogis, listening to their leader preaching in a setting surrounded by mountains, probably Hardwar where the Ganges enters the Jumna. |
Dimensions |
|
Content description | A group of nath yogis, listening to their leader preaching in a setting surrounded by mountains, probably Hardwar where the Ganges enters the Jumna. |
Style | |
Credit line | Given by Colonel T. G. Gayer-Anderson, CMG, DSO, and his twin brother Major R. G. Gayer- Anderson, Pasha. |
Object history | From the Gayer-Anderson Collection. |
Subjects depicted | |
Summary | The holy men shown in this brush drawing belong to a sect called the Nath yogis. They are also known as kanphata ('split ear') yogis as they wear distinctively large circular ear-rings, which are visible in the painting. This group of yogis is shown in a mountainous setting, where they are listening to the preaching of one of their early preceptors. Maharaja Man Singh of Jodhpur (ruled 1803-43) was a devotee of this sect, as he believed one of their leaders had helped him occupy the throne. His court artists were therefore commissioned to paint a great many images of the Naths and their leaders. This sketch may be a preparatory drawing for one of the beautifully painted sets of Nath scriptures that Man Singh had painted. |
Bibliographic reference | R.Crill, Marwar Painting: A History of the Jodhpur style (Mumbai, India Book House, 2000), p.123. |
Collection | |
Accession number | IS.242-1952 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | December 29, 2005 |
Record URL |
Download as: JSONIIIF Manifest