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Untitled

Coat
1998 (made)
Artist/Maker
Place of origin

This work was commissioned by London Printworks Trust, a fabric-printing studio that also organises exhibitions of work by artists and designers using printed textiles. It was included in the 1998 exhibition ‘Masquerade’, an installation of clothing that imitated fashionable, commercially produced garments, with the intention of investigating the way clothes can transform our sense of self, break taboos and question stereotypes.

The coat that Ken McDonald used for this work was found in a gutter, apparently cast off by a homeless person. He decided to line the coat with a reproduction in satin of The Madonna and Child with Saints Julian and Lawrence by Gentile da Fabriano (1370–1427). St Lawrence is especially revered for his care of the poor. The re-worked coat, shabby and dirty but with a sumptuous lining, suggests that outward appearances should not be taken as a measure of character. By choosing a religious image for the lining McDonald also suggests that the modest and self-effacing may be more spiritual than those who make a show of their wealth.


Object details

Categories
Object type
TitleUntitled (popular title)
Materials and techniques
Wool lined with screen-printed satin
Brief description
Coat (found object in London street gutter) re-lined with screen print on satin.
Physical description
Woollen coat in rather poor condition (It was retrieved from a gutter in Notting Hill) which has been relined with a screen-printed satin lining. This bears a repeat image of 'Madonna and Child with Saints Julian and Lawrence' by the international Gothic artist, Gentile da Fabriano
Dimensions
  • Collar to hem length: 100cm
  • Opening to, to include overlap of 2.5cm width: 148cm
Production typeUnique
Credit line
Purchased through the Julie and Robert Breckman Print Fund
Production
Woollen coat lined with image of Madonna and Child with Saints Julian and Lawrence by Gentile da Fabriano, screenprinted onto satin.
Subjects depicted
Summary
This work was commissioned by London Printworks Trust, a fabric-printing studio that also organises exhibitions of work by artists and designers using printed textiles. It was included in the 1998 exhibition ‘Masquerade’, an installation of clothing that imitated fashionable, commercially produced garments, with the intention of investigating the way clothes can transform our sense of self, break taboos and question stereotypes.

The coat that Ken McDonald used for this work was found in a gutter, apparently cast off by a homeless person. He decided to line the coat with a reproduction in satin of The Madonna and Child with Saints Julian and Lawrence by Gentile da Fabriano (1370–1427). St Lawrence is especially revered for his care of the poor. The re-worked coat, shabby and dirty but with a sumptuous lining, suggests that outward appearances should not be taken as a measure of character. By choosing a religious image for the lining McDonald also suggests that the modest and self-effacing may be more spiritual than those who make a show of their wealth.
Collection
Accession number
E.286-2005

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Record createdDecember 9, 2005
Record URL
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