ID Card, Old Ad Diriyah
Print
ca. 2002 (made)
ca. 2002 (made)
| Artist/Maker |
Cecilia Mandrile uses her computer as a portable studio and, with her printer, she can work anywhere, from airport lounge to bus station. Since leaving Argentina in her 20s she has travelled widely and her work addresses themes of homelessness and itineracy.
From 2002 to 2004 Mandrile made a set of ‘ID’ cards. She sees the letters ‘ID’ as standing not for ‘Identity’ but for ‘Intensively Displaced’, referring to the way in which many migrants are under pressure to leave their homeland and are constantly forced to move from place to place.
The cards imitate tourist snapshots and feature home-made dolls incorporating computer-manipulated self-portraits (see Museum no. E.214:1-2005). Their sorrowful, shadowy features, bandaged heads and bleak surroundings remind the viewer that these snapshots show neither comfortable homes nor exotic holiday resorts but simply places where migrants make do with scant resources.
From 2002 to 2004 Mandrile made a set of ‘ID’ cards. She sees the letters ‘ID’ as standing not for ‘Identity’ but for ‘Intensively Displaced’, referring to the way in which many migrants are under pressure to leave their homeland and are constantly forced to move from place to place.
The cards imitate tourist snapshots and feature home-made dolls incorporating computer-manipulated self-portraits (see Museum no. E.214:1-2005). Their sorrowful, shadowy features, bandaged heads and bleak surroundings remind the viewer that these snapshots show neither comfortable homes nor exotic holiday resorts but simply places where migrants make do with scant resources.
Object details
| Categories | |
| Object type | |
| Titles |
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| Materials and techniques | Digital ink-jet print on archival paper, offset lithography, plastic wallet |
| Brief description | Folded identity card wallet by Cecilia Mandrile containing two images of dolls in different locations in Ad Diriyah, Saudi Arabia. |
| Physical description | Double sided folding wallet containing an image of a bandaged doll's head on the left with a printed caption I-D intensively displaced; and on the right the same doll lying in a hole in the earth. |
| Dimensions |
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| Production type | Limited edition |
| Copy number | 1/3 |
| Marks and inscriptions |
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| Credit line | Purchased through the Julie and Robert Breckman Print Fund |
| Object history | Ad Diriyah is a city in Saudi Arabia where the artist spent some months teaching, ca. 2003. |
| Subjects depicted | |
| Place depicted | |
| Summary | Cecilia Mandrile uses her computer as a portable studio and, with her printer, she can work anywhere, from airport lounge to bus station. Since leaving Argentina in her 20s she has travelled widely and her work addresses themes of homelessness and itineracy. From 2002 to 2004 Mandrile made a set of ‘ID’ cards. She sees the letters ‘ID’ as standing not for ‘Identity’ but for ‘Intensively Displaced’, referring to the way in which many migrants are under pressure to leave their homeland and are constantly forced to move from place to place. The cards imitate tourist snapshots and feature home-made dolls incorporating computer-manipulated self-portraits (see Museum no. E.214:1-2005). Their sorrowful, shadowy features, bandaged heads and bleak surroundings remind the viewer that these snapshots show neither comfortable homes nor exotic holiday resorts but simply places where migrants make do with scant resources. |
| Associated objects | |
| Collection | |
| Accession number | E.215-2005 |
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| Record created | December 9, 2005 |
| Record URL |
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