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Blouse

ca. 1969 (made)
Artist/Maker
Place of origin

Jill Ritblat,who was already devoted to Yves Saint Laurent's unisex style and 'le smoking' discovered that Tommy Nutter would provide her with man's-style tailored suits with dandified overtones. She wore this adventurous three-piece only in the evenings, with navy patent moccasins by Charles Jourdan. An interplay of checked and plain worsted,the suit has a single-breasted jacket,straight-cut trousers and a fitted waistcoat. Yves Saint Laurent's silk blouse with stock-like neck tie provided the final flourish.


Object details

Categories
Object type
Materials and techniques
Silk crêpe
Brief description
Blouse, cream silk, Yves Saint Laurent, France, ca. 1969.
Physical description
Silk blouse with stock-like neck tie and long sleeves. Gold metal cufflinks (N.A) with cloisonne enamel faces in profile.
Gallery label
Jill Ritblat, who was already devoted to Yves Saint laurent's unisex style and 'le smoking', discovered that Tommy Nutter would provide her with man's-style tailored suits with dandified overtones. She wore this adventurous three-piece only in the evenings, with navy patent moccasins by Charles jourdan. An interplay of checked and plain worsted, the suit has a single- breasted jacket, straight-cut trousers, and a fitted waistcoat. Yves Saint Laurent's silk blouse with stock-like neck tie provided the final flourish.(1997)
Credit line
Given by Mrs Jill Ritblat
Object history
Worn together with T.75:1 to 3-1996 by Mrs Jill Ritblat.

Registered File number 1996/401.
Summary
Jill Ritblat,who was already devoted to Yves Saint Laurent's unisex style and 'le smoking' discovered that Tommy Nutter would provide her with man's-style tailored suits with dandified overtones. She wore this adventurous three-piece only in the evenings, with navy patent moccasins by Charles Jourdan. An interplay of checked and plain worsted,the suit has a single-breasted jacket,straight-cut trousers and a fitted waistcoat. Yves Saint Laurent's silk blouse with stock-like neck tie provided the final flourish.
Bibliographic reference
De la Haye, Amy (ed.). The Cutting Edge: 50 Years of British Fashion 1947- 1997. London: V&A Publications, 1997, Plate 21, p. 50.
Collection
Accession number
T.76-1996

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Record createdMarch 11, 2011
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