Vase
c.1922-40 (made)
Artist/Maker | |
Place of origin |
These two shotai-jippo vases have applied silver-gilt rims and base plates. They are both depictions of the view of the Yasaka Pagoda seen from the Kiyomizu Temple (Kiyomizudera). This is one of the most famous views in Kyoto and the presence of the geisha, for which Kyoto is also renowned, at cherry-blossom viewing time (hanami) adds to the poetry of the scene. The theme of cherry blossom is echoed in the kimono worn by the two geisha, particularly the one on the left. The sense of romance is enhanced by the stylised clouds and pine trees in the distance. Both vases are decorated with silver yusen and shosen shaded enamels on a translucent green enamel ground, and both have silver yusen geometric patterns around their rims and base plates. These splendidly evocative pieces of cloisonné could have been made for either the domestic or tourist market, as the subject matter would have been popular with both. It has been suggested that these pieces were made by Kato Toichi, who once worked for the Ando Company of Nagoya (personal communication from Inaba Katsumi).
Object details
Categories | |
Object type | |
Parts | This object consists of 4 parts.
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Materials and techniques | Cloisonné enamelled vases decorated using the <i>shotai-jippo, a</i> technique where the metal body is dissolved after firing and polishing. Each vase has an applied chrome-plated rim and base-plate. |
Brief description | Pair of cloisonné enamel vases decorated with geisha and a Kyoto view, unsigned, Nagoya, Japan, c.1922-40 |
Physical description | Pair of cloisonné enamel vases decorated with geisha and a Kyoto view. The shotai-jippo vase (a technique where the metal body is dissolved after firing and polishing) has an applied chrome-plated rim and base-plate. |
Dimensions |
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Content description | geisha, kyoto |
Credit line | Given by Edwin Davies |
Summary | These two shotai-jippo vases have applied silver-gilt rims and base plates. They are both depictions of the view of the Yasaka Pagoda seen from the Kiyomizu Temple (Kiyomizudera). This is one of the most famous views in Kyoto and the presence of the geisha, for which Kyoto is also renowned, at cherry-blossom viewing time (hanami) adds to the poetry of the scene. The theme of cherry blossom is echoed in the kimono worn by the two geisha, particularly the one on the left. The sense of romance is enhanced by the stylised clouds and pine trees in the distance. Both vases are decorated with silver yusen and shosen shaded enamels on a translucent green enamel ground, and both have silver yusen geometric patterns around their rims and base plates. These splendidly evocative pieces of cloisonné could have been made for either the domestic or tourist market, as the subject matter would have been popular with both. It has been suggested that these pieces were made by Kato Toichi, who once worked for the Ando Company of Nagoya (personal communication from Inaba Katsumi). |
Bibliographic reference | Japanese Cloisonne
Irvine, Gregory. Japanese Cloisonné. (London:V&A Publications, 2006), p. 69 |
Other number | ED 246 - Edwin Davies collection number |
Collection | |
Accession number | FE.29:1 to 4-2011 |
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Record created | February 9, 2011 |
Record URL |
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