Aluminium Group, model 682 thumbnail 1
Aluminium Group, model 682 thumbnail 2
Not currently on display at the V&A

Aluminium Group, model 682

Armchair
1958 (designed)
Artist/Maker
Place of origin

Aluminium had been used for furniture before the Second World War, but was perceived as brittle, inflexible and expensive. However, the war increased production in the USA by 600 percent, and after 1945 aluminium gained popularity.

The Aluminium Group marked a shift away from the shell forms of the Eameses' earlier plywood chairs towards a slimmer, more linear profile. The design arose from a request by Alexander Girard, who could not find suitable chairs for a house he had designed with Eero Saarinen. The Eameses developed a special ultrasonically-welded, padded sling that wrapped around cylindrical elements at the top and bottom, and which was held in place by the skeletal metal frame at the sides of the chair. The sand-cast aluminium frame was the most complex and challenging Eames chair to manufacture. The designers had envisaged the chair for indoor or outdoor domestic use, but it was too expensive for that market and ended up in offices. Chairs with swivel bases like this one were introduced in the mid-1960s.


Object details

Category
Object type
TitleAluminium Group, model 682 (manufacturer's title)
Materials and techniques
Cast aluminium frame, steel swivelling base, imitation leather upholstery
Brief description
Aluminium Group armchair, designed by Charles and Ray Eames, 1958, manufactured by Herman Miller, USA
Physical description
Armchair with black ribbed upholstered seat and back, open cast aluminium arms painted black, on a steel swivel base.
Dimensions
  • Width: 24.5in
  • Depth: 27in
  • Height: 34.5in
Taken from register
Summary
Aluminium had been used for furniture before the Second World War, but was perceived as brittle, inflexible and expensive. However, the war increased production in the USA by 600 percent, and after 1945 aluminium gained popularity.

The Aluminium Group marked a shift away from the shell forms of the Eameses' earlier plywood chairs towards a slimmer, more linear profile. The design arose from a request by Alexander Girard, who could not find suitable chairs for a house he had designed with Eero Saarinen. The Eameses developed a special ultrasonically-welded, padded sling that wrapped around cylindrical elements at the top and bottom, and which was held in place by the skeletal metal frame at the sides of the chair. The sand-cast aluminium frame was the most complex and challenging Eames chair to manufacture. The designers had envisaged the chair for indoor or outdoor domestic use, but it was too expensive for that market and ended up in offices. Chairs with swivel bases like this one were introduced in the mid-1960s.
Collection
Accession number
CIRC.69-1969

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Record createdDecember 1, 2005
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