Not currently on display at the V&A

Ring

17th century (made)
Artist/Maker
Place of origin

Signet rings, engraved with a coat of arms, owner's initial or the mark used by a merchant to identify his goods are one of the most common types of surviving medieval and Renaissance rings. The engraved bezel of the ring was pressed into sealing wax and this was then fixed onto a letter or deed. This ring is engraved with an ownership mark, often called a merchant's mark, a geometric sign, frequently based on the number 4 or on a variation of a cross, which was used as a proprietary mark. Merchants marks were a key part of commercial and social life - they were used to seal deeds as a legal signature and served to mark bales of goods and to settle disputes over ownership when those goods had gone astray through theft, shipwreck or piracy. Prosperous merchants also had their marks set in their houses, windows and on their gravestones or included them in their personal portraits.

This ring forms part of a collection of 760 rings and engraved gems from the collection of Edmund Waterton (1830-87). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899.

Edmund Waterton used the fortune which was made by his family’s involvement in the British Guiana sugar plantations to put his collection together. His grandfather owned a plantation known as Walton Hall and his father, Charles Waterton, went to Guiana as a young man to help run La Jalousie and Fellowship, plantations which belonged to his uncles. When slavery was abolished in the British territories, Charles Waterton claimed £16283 6s 7d in government compensation and was recorded as having 300 slaves on the Walton Hall estate.


Object details

Categories
Object type
Materials and techniques
Engraved silver-gilt
Brief description
Silver-gilt ring, the oval bezel engraved with a merchant's mark and MPS surmounted by a flower, with foliated shoulders, West Europe, 17th century
Physical description
Silver-gilt ring, the oval bezel engraved with a merchant's mark and MPS surmounted by a flower, with foliated shoulders
Dimensions
  • Height: 2.4cm
  • Width: 2.4cm
  • Depth: 1cm
Marks and inscriptions
  • Merchant's mark
  • 'MPS' surmounted by a flower (engraved)
Object history
ex Waterton Collection
Subjects depicted
Summary
Signet rings, engraved with a coat of arms, owner's initial or the mark used by a merchant to identify his goods are one of the most common types of surviving medieval and Renaissance rings. The engraved bezel of the ring was pressed into sealing wax and this was then fixed onto a letter or deed. This ring is engraved with an ownership mark, often called a merchant's mark, a geometric sign, frequently based on the number 4 or on a variation of a cross, which was used as a proprietary mark. Merchants marks were a key part of commercial and social life - they were used to seal deeds as a legal signature and served to mark bales of goods and to settle disputes over ownership when those goods had gone astray through theft, shipwreck or piracy. Prosperous merchants also had their marks set in their houses, windows and on their gravestones or included them in their personal portraits.

This ring forms part of a collection of 760 rings and engraved gems from the collection of Edmund Waterton (1830-87). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899.

Edmund Waterton used the fortune which was made by his family’s involvement in the British Guiana sugar plantations to put his collection together. His grandfather owned a plantation known as Walton Hall and his father, Charles Waterton, went to Guiana as a young man to help run La Jalousie and Fellowship, plantations which belonged to his uncles. When slavery was abolished in the British territories, Charles Waterton claimed £16283 6s 7d in government compensation and was recorded as having 300 slaves on the Walton Hall estate.
Bibliographic references
Collection
Accession number
733-1871

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Record createdNovember 23, 2005
Record URL
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