Jewellery Design
Design
ca. 1860 (made)
ca. 1860 (made)
| Artist/Maker | |
| Place of origin |
This design comes from 'The Brogden Album', the album contained 1,593 designs for jewellery and goldsmith's work, mainly in colour and dating between 1848 and 1884. It is a unique record of the years in which John Brogden, an internationally celebrated 'art goldsmith and jeweller worked first in partnership and then as owner-director of his own firm. This was a period of great diversity in fashionable jewellery, and the Brogden firm where noted for their skill in designing and creating a range of styles.
The firm was founded by John Brogden the elder in about 1796. From about 1824 to 1831 it was styled 'Brogden and Garland' and thereafter until 1841 'Garland and Watherston'. The younger Brogden, the son of Thomas Brogden and presumably a relative of the founder, served an apprenticeship to J.W. garland as a goldsmith and jeweller from 1834 to 1841. Following Garland's departure, the remaining partner, J.H. Watherston, removed the firm to new premises at 16 Henrietta Street, Covent Garden and in 1848 joined forces with the younger Brogden.
The firm was founded by John Brogden the elder in about 1796. From about 1824 to 1831 it was styled 'Brogden and Garland' and thereafter until 1841 'Garland and Watherston'. The younger Brogden, the son of Thomas Brogden and presumably a relative of the founder, served an apprenticeship to J.W. garland as a goldsmith and jeweller from 1834 to 1841. Following Garland's departure, the remaining partner, J.H. Watherston, removed the firm to new premises at 16 Henrietta Street, Covent Garden and in 1848 joined forces with the younger Brogden.
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Object details
| Categories | |
| Object type | |
| Title | Jewellery Design (generic title) |
| Materials and techniques | Pencil and watercolour drawings on card. |
| Brief description | Design for jewellery, by the firm of John Brogden, about 1860 |
| Physical description | Rectangular card with a pencil and watercolour design for the heads of six gold pin brooches. The first design is comprised of a hexagonal gold form, inlaid with pearls. The second design is comprised of a ring of blue enamel, mounted over which is a pink ball, possibly of coral. This brooch is annotated in brown in as "£3". The third design is comprised of gold and blue enamel in the form of a shell, inlaid in the centre of which is a pearl. This brooch is annotated as "£5". The fourth design is comprised of a disc of gold inlaid in the centre of which is a disc-shaped cluster of blue stones. This brooch is annotated in brown ink as "2.10". The fifth design is comprised of a gold leaf, mounted onto which is a red and black enamel ladybird, also annotated as "2.10". The sixth design is comprised of an oval frame of gold inlaid within which is black enamel, and a side profile portrait of a classical figure - possibly Athena or Nike. This final design is annotated as "£3.5". |
| Dimensions |
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| Styles | |
| Production type | Design |
| Subjects depicted | |
| Summary | This design comes from 'The Brogden Album', the album contained 1,593 designs for jewellery and goldsmith's work, mainly in colour and dating between 1848 and 1884. It is a unique record of the years in which John Brogden, an internationally celebrated 'art goldsmith and jeweller worked first in partnership and then as owner-director of his own firm. This was a period of great diversity in fashionable jewellery, and the Brogden firm where noted for their skill in designing and creating a range of styles. The firm was founded by John Brogden the elder in about 1796. From about 1824 to 1831 it was styled 'Brogden and Garland' and thereafter until 1841 'Garland and Watherston'. The younger Brogden, the son of Thomas Brogden and presumably a relative of the founder, served an apprenticeship to J.W. garland as a goldsmith and jeweller from 1834 to 1841. Following Garland's departure, the remaining partner, J.H. Watherston, removed the firm to new premises at 16 Henrietta Street, Covent Garden and in 1848 joined forces with the younger Brogden. |
| Bibliographic reference | Huits, Lieske. "At Once 'Ancient' and 'Modern': The Art-Journal's Illustrated Catalogues and the Notion of Adaptation in Nineteenth-Century Historicism", Nineteenth-Century Art Worldwide 21, no. 3 (Autumn 2022), https://doi.org/10.29411/ncaw.2022.21.3.2. |
| Collection | |
| Accession number | E.2:814-1986 |
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| Record created | February 1, 2011 |
| Record URL |
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