Chamber Set thumbnail 1
Chamber Set thumbnail 2
+1
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 145

Chamber Set

ca. 1808-1815 (made)
Artist/Maker
Place of origin

With its bold and heavy Grecian-inspired forms, bands of stiff Egyptian lotus leaves, and hot 'Etruscan' or palette, this very large chamber set is quite exceptional for English ceramic design around 1810. It is, in fact, much closer to Regency silver and furniture design than to mainstream ceramic production at that time, as it was almost certainly designed by the great Regency furniture designer and upholsterer George Bullock (died 1818), and was probably intended to complement furnishings supplied by him. Bullock designed similar chamber sets for the use of Napoleon and his officers in exile on the island of St Helena in 1815. Interestingly, those originally intended for the defeated Emperor's personal use were never sent to the island, as the painted leaf decoration was considered too 'redolent of the victor's laurels'. The set is from Woburn Abbey, the ancestral home of the Dukes of Bedford, and it may have been specially commissioned by one of the Dukes. English ceramics designed by architects or interior designers are exceptionally rare before about 1840.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Jug
  • Basin
Materials and techniques
Creamware (lead-glazed earthenware), moulded, with applied ornament and painted in enamels
Brief description
Chamber set, creamware jug and basin with leaf and scroll decoration in orange-red and dark brown enamel, probably designed by George Bullock and possibly made at Enoch Wood's factory, Burslem, ca. 1808-1815
Dimensions
  • Jug and basin weight: 11.04kg
Credit line
Purchase funded by the Friends of the V&A
Object history
Provenance: Woburn Abbey, Bedfordshire; sold Christie's Bedford Estates and Russell Family, 20 September 2004, lot 374; bought from Jonathan Horne Antiques Ltd (see his catalogue, English Pottery and Related Works of Art, 2005, p.28).
Production
The attribution to Enoch Wood's factory was put forward by Jonathan Horne, who pointed to the existence of similar pieces that came from the Wood family and were sold at Christie's on 12 July 1982 (lot 119-120). However, the sale also included pieces with the same provenance that are most unlikely to have been made by Enoch Wood. The attribution to Bullock is based on 1) the existence of similar wares designed by him for Napoleon's personal use at St Helena, and to similar wares for the officers use in Bullock's St. Helena designs; 2) on the similarity to silver designs by Bullock; and 3) on the chamber set's own provenance, as Woburn Abbey included a large group of furniture by or attributable to Bullock. Jonathan Horne suggested that the set was probably made for John, the 6th Duke of Bedford (d. 1839), and that it was intended for use at Endsleigh House in Devon. However, the man in the portrait medallion is very similar in appearance to Francis, the 7th Duke of Bedford (1788-1861), who married Anna Maria Stanhope (1783-1857) in 1808.
Subjects depicted
Summary
With its bold and heavy Grecian-inspired forms, bands of stiff Egyptian lotus leaves, and hot 'Etruscan' or palette, this very large chamber set is quite exceptional for English ceramic design around 1810. It is, in fact, much closer to Regency silver and furniture design than to mainstream ceramic production at that time, as it was almost certainly designed by the great Regency furniture designer and upholsterer George Bullock (died 1818), and was probably intended to complement furnishings supplied by him. Bullock designed similar chamber sets for the use of Napoleon and his officers in exile on the island of St Helena in 1815. Interestingly, those originally intended for the defeated Emperor's personal use were never sent to the island, as the painted leaf decoration was considered too 'redolent of the victor's laurels'. The set is from Woburn Abbey, the ancestral home of the Dukes of Bedford, and it may have been specially commissioned by one of the Dukes. English ceramics designed by architects or interior designers are exceptionally rare before about 1840.
Bibliographic references
  • Horne, Jonathan. English Pottery and Related Works of Art.Jonathan Horne Antiques, 2005, p.28.
  • See Ceramics & Glass Section object information file
Collection
Accession number
C.44:1, 2-2005

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdNovember 17, 2005
Record URL
Download as: JSONIIIF Manifest