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Corn Sow-Thistle

Print
1777-1798 (engraved), 1777-1798 (published)
Artist/Maker
Place of origin

William Curtis's Flora Londinensis was a field guide to the wild flowers growing within ten miles of London. It was a serial publication that came out between 1777 and 1798. For the engraved, hand-coloured illustrations Curtis employed some of the most prominent botanical artists. Curtis was a botanist who worked at the Chelsea Physic Garden and then established the London Botanic Garden at Lambeth. He later found commercial success with the Botanical Magazine from 1787.

William Kilburn worked as a botanical illustrator. He produced most of the plates in the first volume of William Curtis's Flora Londinensis. Kilburn had served an apprenticeship (a period of training for a trade) in a cotton-printing factory in Dublin in Ireland. When he moved to London he continued to sell designs to calico-printers. He gave up his work as a botanical illustrator to go back to the textile industry, where he could earn more money. Eventually he owned his own calico-printing factory, for which he designed exquisitely detailed floral patterns. A volume of his designs for textiles is in the V&A collection.

In almost every case, the plants in the Flora Londinensis were shown life-size on folio pages large enough not to restrict their subjects. Like the early herbals and especially the manuscript herbals, Curtis’s artists show the whole plant, complete with roots. The plant is an intact entity, not fragmented as was common in scientific illustration of the period.


Object details

Categories
Object type
Titles
  • Corn Sow-Thistle (generic title)
  • Sonchus arvensis (generic title)
  • Flora Londinensis (series title)
Materials and techniques
Engraving coloured by hand
Brief description
Print, hand-coloured engraving, Corn Sow-thistle by an unknown artist, from 'Flora Londinensis' by William Curtis, 1777-98.
Physical description
Engraving, hand coloured, of a Corn Sow-Thistle.
Gallery label
The text gives the alternate and common names for each plant, a scientific description in both Latin and English, and a list of the localities where the plant can be seen. In his introduction Curtis states that he has 'been at considerable expense, in having all the plants drawn from nature, and engraved by an ingenious artist, under his own inspection.'(2011)
Subject depicted
Summary
William Curtis's Flora Londinensis was a field guide to the wild flowers growing within ten miles of London. It was a serial publication that came out between 1777 and 1798. For the engraved, hand-coloured illustrations Curtis employed some of the most prominent botanical artists. Curtis was a botanist who worked at the Chelsea Physic Garden and then established the London Botanic Garden at Lambeth. He later found commercial success with the Botanical Magazine from 1787.

William Kilburn worked as a botanical illustrator. He produced most of the plates in the first volume of William Curtis's Flora Londinensis. Kilburn had served an apprenticeship (a period of training for a trade) in a cotton-printing factory in Dublin in Ireland. When he moved to London he continued to sell designs to calico-printers. He gave up his work as a botanical illustrator to go back to the textile industry, where he could earn more money. Eventually he owned his own calico-printing factory, for which he designed exquisitely detailed floral patterns. A volume of his designs for textiles is in the V&A collection.

In almost every case, the plants in the Flora Londinensis were shown life-size on folio pages large enough not to restrict their subjects. Like the early herbals and especially the manuscript herbals, Curtis’s artists show the whole plant, complete with roots. The plant is an intact entity, not fragmented as was common in scientific illustration of the period.
Collection
Accession number
E.1457-2010

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Record createdFebruary 1, 2011
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