Ring thumbnail 1
Ring thumbnail 2
+2
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Jewellery, Rooms 91, The William and Judith Bollinger Gallery

This object consists of 3 parts, some of which may be located elsewhere.

Ring

1976 (made)
Artist/Maker
Place of origin

Julia Manheim studied at Middlesex University, then at the Central School of Art and Design from 1969-1972. She went on to share a studio with jewellers Nuala Jamison and Caroline Broadhead.

In the 1970s Manheim made rings and bracelets of silver combined with carved ivory, ebony or mother-of-pearl, of which there are three rings in the V&A collection. A turning point in her approach became evident in the early 1980s. Together with her avant-garde contemporaries she explored jewellery as body sculpture in non-precious materials. In her most acclaimed collection, 'Wire Wear', she explored the 'edges of where jewellery meets clothing' through body jewellery made of plastic-coated steel wire. More recently, she has turned her attention to sustainability in design and uses discarded paper, wood, wire and other materials to create both jewellery and sculptural and installation works.


Object details

Categories
Object type
Parts
This object consists of 3 parts.

  • Ring
  • Ring
  • Ring
Materials and techniques
Silver inlaid and overlaid with ebony
Brief description
Set of three rings composed of broad silver hoops variously inlaid and overlaid with ebony, by Julia Manheim, London, 1976.
Physical description
Set of three rings, composed of broad silver hoops variously inlaid and overlaid with ebony, with maker's mark for Julia Manheim and London hallmarks for 1976
Dimensions
  • Height: 1.7cm (Height for all three rings)
  • Diameter: 2.1cm (M.33-1982)
  • Diameter: 2.4cm (M.33A-1982)
  • Diameter: 2.6cm (M.33B-1982)
Marks and inscriptions
  • JMM (Maker's mark for Julia Manheim)
  • marks (London hallmarks for 1976)
  • 1/35
Object history
Purchased from the artist.

Exhibited 'International Jewellery', Crafts Council, September-November 1996; National Museum of Wales December, 1996- March 1997.
Summary
Julia Manheim studied at Middlesex University, then at the Central School of Art and Design from 1969-1972. She went on to share a studio with jewellers Nuala Jamison and Caroline Broadhead.

In the 1970s Manheim made rings and bracelets of silver combined with carved ivory, ebony or mother-of-pearl, of which there are three rings in the V&A collection. A turning point in her approach became evident in the early 1980s. Together with her avant-garde contemporaries she explored jewellery as body sculpture in non-precious materials. In her most acclaimed collection, 'Wire Wear', she explored the 'edges of where jewellery meets clothing' through body jewellery made of plastic-coated steel wire. More recently, she has turned her attention to sustainability in design and uses discarded paper, wood, wire and other materials to create both jewellery and sculptural and installation works.
Bibliographic references
  • 'Wire Wear'. Julia Manheim, Newcastle 1982 Exhibition organised by Crafts Council of Great Britain Northern Arts and Newcastle Polytechnic
  • Gill Hedley, Julia Manheim, The Shifting Emphasis, Bury St. Edmunds Art Gallery, London 1995
Collection
Accession number
M.33 to B-1982

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Record createdNovember 2, 2005
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