Ring
1976 (made)
Artist/Maker | |
Place of origin |
Julia Manheim studied at Middlesex University, then at the Central School of Art and Design from 1969-1972. She went on to share a studio with jewellers Nuala Jamison and Caroline Broadhead.
In the 1970s Manheim made rings and bracelets of silver combined with carved ivory, ebony or mother-of-pearl, of which there are three rings in the V&A collection. A turning point in her approach became evident in the early 1980s. Together with her avant-garde contemporaries she explored jewellery as body sculpture in non-precious materials. In her most acclaimed collection, 'Wire Wear', she explored the 'edges of where jewellery meets clothing' through body jewellery made of plastic-coated steel wire. More recently, she has turned her attention to sustainability in design and uses discarded paper, wood, wire and other materials to create both jewellery and sculptural and installation works.
In the 1970s Manheim made rings and bracelets of silver combined with carved ivory, ebony or mother-of-pearl, of which there are three rings in the V&A collection. A turning point in her approach became evident in the early 1980s. Together with her avant-garde contemporaries she explored jewellery as body sculpture in non-precious materials. In her most acclaimed collection, 'Wire Wear', she explored the 'edges of where jewellery meets clothing' through body jewellery made of plastic-coated steel wire. More recently, she has turned her attention to sustainability in design and uses discarded paper, wood, wire and other materials to create both jewellery and sculptural and installation works.
Object details
Categories | |
Object type | |
Parts | This object consists of 3 parts.
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Materials and techniques | Silver inlaid and overlaid with ebony |
Brief description | Set of three rings composed of broad silver hoops variously inlaid and overlaid with ebony, by Julia Manheim, London, 1976. |
Physical description | Set of three rings, composed of broad silver hoops variously inlaid and overlaid with ebony, with maker's mark for Julia Manheim and London hallmarks for 1976 |
Dimensions |
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Marks and inscriptions |
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Object history | Purchased from the artist. Exhibited 'International Jewellery', Crafts Council, September-November 1996; National Museum of Wales December, 1996- March 1997. |
Summary | Julia Manheim studied at Middlesex University, then at the Central School of Art and Design from 1969-1972. She went on to share a studio with jewellers Nuala Jamison and Caroline Broadhead. In the 1970s Manheim made rings and bracelets of silver combined with carved ivory, ebony or mother-of-pearl, of which there are three rings in the V&A collection. A turning point in her approach became evident in the early 1980s. Together with her avant-garde contemporaries she explored jewellery as body sculpture in non-precious materials. In her most acclaimed collection, 'Wire Wear', she explored the 'edges of where jewellery meets clothing' through body jewellery made of plastic-coated steel wire. More recently, she has turned her attention to sustainability in design and uses discarded paper, wood, wire and other materials to create both jewellery and sculptural and installation works. |
Bibliographic references |
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Collection | |
Accession number | M.33 to B-1982 |
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Record created | November 2, 2005 |
Record URL |
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