Salut de Schiaparelli
Photograph
1934 (photographed), 1988 (printed)
1934 (photographed), 1988 (printed)
Artist/Maker | |
Place of origin |
Ilse Bing (1899-1998) was one of several leading women photographers in the inter-war period. Born into a Jewish family in Frankfurt, she initially pursued an academic career before moving to Paris in 1930 to concentrate on photography. The photograph ‘Salut de Schiaparelli’ (Lily Perfume) was one of Ilse Bing’s (1899-1998) fashion assignments for the designer label Schiaparelli. Elsa Schiaparelli was a very popular designer in the 1930s who had close ties to the Parisian artistic community. In the early 1930s Bing had begun to take commissions for fashion photography and was published in magazines such as Paris Vogue, Adam and Marchal. This photograph was later published by the photographer and critic Emmanuel Sougez as part of an article and portfolio of Bing’s work in L’Art Vivant in 1934.
Bing experimented with solarisation from 1934 at the same time as Man Ray (1890-1976) and Lee Miller (1907-1977), although she claimed that she discovered the technique independently of them. Solarisation happens when negatives are exposed to light in the darkroom during developing and printing, producing partly reversed images. The technique adds to the dreaminess of the image, and the woman, reclining with eyes shut, appears to float on a bed of abstracted lilies.
Bing experimented with solarisation from 1934 at the same time as Man Ray (1890-1976) and Lee Miller (1907-1977), although she claimed that she discovered the technique independently of them. Solarisation happens when negatives are exposed to light in the darkroom during developing and printing, producing partly reversed images. The technique adds to the dreaminess of the image, and the woman, reclining with eyes shut, appears to float on a bed of abstracted lilies.
Object details
Category | |
Object type | |
Title | Salut de Schiaparelli (assigned by artist) |
Materials and techniques | Gelatin-silver print from solarised negative |
Brief description | 'Salut de Schiaparelli', photograph by Ilse Bing (1899-1998), 1934 printed 1988 |
Physical description | In this image we can see a woman reclining amoungst flowers. |
Dimensions |
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Style | |
Marks and inscriptions |
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Gallery label | ‘Selling Dreams: One Hundred Years of Fashion Photography’, 2014. Label text:
Ilse Bing (1899–1998)
Salut de Schiaparelli
Perfume advertisement, 1934
Ilse Bing was one of the first photographers to adopt the revolutionary small-format Leica camera. Her images frequently include steep perspectives, off-centre compositions and closely cropped details. Fashion designer Elsa Schiaparelli commissioned Bing to produce the advertising images for her lily-scented perfume 'Salut', a fragrance intended to complement Schiaparelli's range of chic sportswear.
Gelatin silver print from solarised negative, printed 1988
Given by Ilse Bing Wolff
Museum no. E.3073-2004
(07 03 2014) |
Credit line | Bequeathed by Ilse Bing Wolff |
Subject depicted | |
Summary | Ilse Bing (1899-1998) was one of several leading women photographers in the inter-war period. Born into a Jewish family in Frankfurt, she initially pursued an academic career before moving to Paris in 1930 to concentrate on photography. The photograph ‘Salut de Schiaparelli’ (Lily Perfume) was one of Ilse Bing’s (1899-1998) fashion assignments for the designer label Schiaparelli. Elsa Schiaparelli was a very popular designer in the 1930s who had close ties to the Parisian artistic community. In the early 1930s Bing had begun to take commissions for fashion photography and was published in magazines such as Paris Vogue, Adam and Marchal. This photograph was later published by the photographer and critic Emmanuel Sougez as part of an article and portfolio of Bing’s work in L’Art Vivant in 1934. Bing experimented with solarisation from 1934 at the same time as Man Ray (1890-1976) and Lee Miller (1907-1977), although she claimed that she discovered the technique independently of them. Solarisation happens when negatives are exposed to light in the darkroom during developing and printing, producing partly reversed images. The technique adds to the dreaminess of the image, and the woman, reclining with eyes shut, appears to float on a bed of abstracted lilies. |
Bibliographic reference | Ilse Bing: Three decades of photographyNancy C. Barrett (New Orleans Museum of Art, 1985) |
Collection | |
Accession number | E.3073-2004 |
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Record created | October 31, 2005 |
Record URL |
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