A country road with elm trees thumbnail 1
A country road with elm trees thumbnail 2
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level H , Case WD, Shelf 20, Box D

A country road with elm trees

Drawing
ca. 1830-ca. 1836 (drawn)
Artist/Maker
Place of origin

Constable's late wash drawings are notable for their free handling and almost expressionistic quality. This view of a country road is relatively restrained and more highly finished than some of its cousins. However, the rather menacing group of elm trees that blocks the horizon is characteristic of the dark mood common to his last drawings.


Object details

Categories
Object type
TitleA country road with elm trees (popular title)
Materials and techniques
Pencil, pen and bistre wash
Brief description
Drawing, A country road with elm trees, by John Constable, pencil, pen and bistre wash, ca.1830-6
Physical description
A pencil, pen and bistre wash drawing of a country road winding toward a group of elm trees. Houses are visible in the distance, upper left.
Dimensions
  • Height: 80mm
  • Width: 112mm
Style
Marks and inscriptions
pencil scribbles (On back, presumably by artist.)
Credit line
Given by Isabel Constable, daughter of the artist
Object history
This may be one of the last drawings Constable completed. Reynolds groups with with 248-1888 and 816-1888 as representative examples of the last phase of Constable's draughtsmanship.
Historical context
'In 1836 Constable's two exhibits at the Royal Academy were the 'Cenotaph to the memory of Sir Joshua Reynolds' (now in the Tate Gallery, No. 1272) and the watercolour 'Stonehenge' (No. 395 [1629-1888]). He gave four lectures on 'The History of Landscape Painting' at the Royal Institution in May and June of this year and his last lecture, at Hampstead, on 25 July. Constable died on 31 March 1837. His almost completed painting 'Arundel Mill and Castle' (now in the Toledo Museum of Art, Toledo, Ohio; see No. 379 [260-1888]) was exhibited posthumously at the Royal Academy.'

[G Reynolds, 1973, p. 233]
Production
This drawing, along with Reynolds cat. nos. 412 and 413, are grouped together as examples of the last phase of Constable's draughtsmanship due to their resemblance to other late drawings of known date.
Subjects depicted
Summary
Constable's late wash drawings are notable for their free handling and almost expressionistic quality. This view of a country road is relatively restrained and more highly finished than some of its cousins. However, the rather menacing group of elm trees that blocks the horizon is characteristic of the dark mood common to his last drawings.
Bibliographic reference
Catalogue of the Constable Collection, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973, pp. 233, 241
Other number
415, plate 310 - Reynolds catalogue no.
Collection
Accession number
603-1888

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdOctober 20, 2005
Record URL
Download as: JSONIIIF Manifest