Not currently on display at the V&A

Memoriam

Quilt Study
2002 (made)
Artist/Maker
Place of origin

'Memoriam' is the last quilt in a body of work which draws inspiration from the patterns and ethos of traditional quilt making, and reflects on the terrifying fragmentation of identity that occurs with memory loss. This work was a response to the artist's mother's suffering from Alzheimer's disease. The knotted border evokes the gesture of twisting hair while lost in thought. Instead of cotton or wool, 'Memoriam' is wadded with wire, deliberately undermining the quilt's traditional associations with safety and comfort.

In the study for 'Memoriam', Walker included a screen printed image of her mother's wedding veil, looped and stitched to reference the universal remembrance ribbons which started with AIDS awareness. Juxtaposed with 'Memoriam', the study is a poignant reminder of both the hopes and fears of a young bride at the start of her married life.

Michele Walker creates multi-layered quilts that unite personal testimony with social commentary. She was one of a small group of contemporary artists who helped to revive an interest in British quilt making in the 1970s and 1980s. Her interest in the tradition includes not only techniques, but also a fascination with the often unknown women who produced quilts; objects which are on the whole unsigned, undated and undocumented, but often retain within them a fading collective or personal memory.


Object details

Category
Object type
TitleMemoriam (assigned by artist)
Materials and techniques
Quilted wire wool and transparent plastic, screen printed plastic
Brief description
Study for 'Memoriam', transparent plastic and steel wire wool, silk screen of lace wedding veil printed on plastic, designed and made by Michele Walker, British, 2002
Physical description
Pieced transparent plastic in a 'crazy' design, wadded with steel wire wool. Edged with twisted steel wire wool. Quilted with synthetic thread in the pattern of the artist's own skin. Silk screen of lace wedding veil printed on plastic stitched in the centre in the shape of a memorial ribbon.
Dimensions
  • Height: 62.5cm
  • Width: 74.5cm
  • Depth: 2cm
  • Weight: 5.72kg
Object is currently mounted on a backboard with a perspex lid which measures 64 (H) x 81 (W) x 8.3 (D)
Production typeArtist's proof
Gallery label
Memoriam Michele Walker (born 1947), Brighton 2002 Walker reflects on the terrifying fragmentation of personal identity that occurs with memory loss. This work was a response to her mother's suffering from Alzheimer's disease. The knotted border evokes the gesture of twisting hair, while the plastic - in a pattern based on the artist's own skin - is pieced using the traditional 'crazy' patchwork design. Instead of cotton or wool, Memoriam is wadded with wire, deliberately undermining the quilt's traditional associations with safety and comfort. Plastic and steel V&A: T.6:1, 2-2009(20th March 2010)
Summary
'Memoriam' is the last quilt in a body of work which draws inspiration from the patterns and ethos of traditional quilt making, and reflects on the terrifying fragmentation of identity that occurs with memory loss. This work was a response to the artist's mother's suffering from Alzheimer's disease. The knotted border evokes the gesture of twisting hair while lost in thought. Instead of cotton or wool, 'Memoriam' is wadded with wire, deliberately undermining the quilt's traditional associations with safety and comfort.

In the study for 'Memoriam', Walker included a screen printed image of her mother's wedding veil, looped and stitched to reference the universal remembrance ribbons which started with AIDS awareness. Juxtaposed with 'Memoriam', the study is a poignant reminder of both the hopes and fears of a young bride at the start of her married life.

Michele Walker creates multi-layered quilts that unite personal testimony with social commentary. She was one of a small group of contemporary artists who helped to revive an interest in British quilt making in the 1970s and 1980s. Her interest in the tradition includes not only techniques, but also a fascination with the often unknown women who produced quilts; objects which are on the whole unsigned, undated and undocumented, but often retain within them a fading collective or personal memory.
Bibliographic references
  • Sue Prichard (ed.), Quilts, 1700-2010 : hidden histories, untold stories, London: V&A, 2010 no. 69 Sue Prichard, 'Negotiating space: fabric and the feminine 1945-2010', in Sue Prichard (ed.), Quilts 1700-2010 (London: V&A, 2010) p.142
  • Sue Prichard, 'Keepsakes of identity - Michele Walker: Memoriam' V&A Online Journal 1 (Autumn 2008)
Collection
Accession number
T.6:2-2009

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJanuary 7, 2011
Record URL
Download as: JSON