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Carriage, Central Park

Photograph
1936 (photographed), 1930s (printed)
Artist/Maker
Place of origin

Ilse Bing (1899-1998) was one of several leading women photographers in the inter-war period. Born into a Jewish family in Frankfurt, she initially pursued an academic career before moving to Paris in 1930 to concentrate on photography. This photograph was taken during a trip to New York in 1936 organised by the author Hendrik Willem Van Loon, who supported Bing. It reveals the influence of photographer Alfred Stieglitz (1864-1946) who she met on this trip and his work 'The Terminal'.

Bing was skilled in photojournalism and developed a distinctive response to New York, to capture the everyday in an unusual way. In this image, the cropped dark outline of the carriage and its driver dominate the composition, and provide a stark contrast to the wispy trees and gentle cityscape in the background.


Object details

Category
Object type
TitleCarriage, Central Park (generic title)
Materials and techniques
Gelatin-silver print on Agfa Brovira paper
Brief description
'Carriage, Central Park'. vintage photograph taken in 1936 by Ilse Bing (1899-1998)
Physical description
Gelatin-silver print of horse and carriage with lamp-post on left.
Dimensions
  • Height: 22cm
  • Width: 28cm
Style
Marks and inscriptions
  • '[56 - 18 - C2]' (Written in pencil on reverse. Ilse Bing Wolff Estate's archival reference for the work assigned prior to acquisition by the V&A.)
  • 'ILSE BING 1936' (Written by artist on image, bottom left, in white ink.)
Credit line
Bequeathed by Ilse Bing Wolff
Subjects depicted
Summary
Ilse Bing (1899-1998) was one of several leading women photographers in the inter-war period. Born into a Jewish family in Frankfurt, she initially pursued an academic career before moving to Paris in 1930 to concentrate on photography. This photograph was taken during a trip to New York in 1936 organised by the author Hendrik Willem Van Loon, who supported Bing. It reveals the influence of photographer Alfred Stieglitz (1864-1946) who she met on this trip and his work 'The Terminal'.

Bing was skilled in photojournalism and developed a distinctive response to New York, to capture the everyday in an unusual way. In this image, the cropped dark outline of the carriage and its driver dominate the composition, and provide a stark contrast to the wispy trees and gentle cityscape in the background.
Collection
Accession number
E.3052-2004

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Record createdOctober 13, 2005
Record URL
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