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Dylan

Poster
1967 (made)
Artist/Maker
Place of origin

Milton Glaser was born in 1929 and is widely acknowledged as one of America's most distinguished graphic designers. In 1954, he co-founded the Push Pin Studio, a design firm based in New York, with fellow designers Seymour Chwast, Reynolds Ruffins and Edward Sorel. Though Glaser's graphic output has been extremely varied throughout his illustrious career (he later designed the famous 'I Love New York' logo), among his best known work is this silhouette portrait of folk musician and song-writer Bob Dylan. During the psychedelic era of the mid- to late-Sixties, Glaser often relied on punctuating flat, black expanses with smaller areas of bold colour - which he affixed onto his black shapes using coloured films.Glaser frequently drew on his knowledge of art history in his designs; here he based the patterns in Dylan's technicolour hair on the traditional curvilinear forms of Islamic designs.


Object details

Categories
Object type
TitleDylan (assigned by artist)
Materials and techniques
Colour offset lithograph
Brief description
"Dylan" Bob Dylan concert poster by Milton Glaser. USA, 1966.
Physical description
Illustrated portrait of Bob Dylan in profile, in psychedelic colours
Credit line
Gift of the American Friends of the V&A; Gift to the American Friends by Leslie, Judith and Gabri Schreyer and Alice Schreyer Batko
Subjects depicted
Place depicted
Summary
Milton Glaser was born in 1929 and is widely acknowledged as one of America's most distinguished graphic designers. In 1954, he co-founded the Push Pin Studio, a design firm based in New York, with fellow designers Seymour Chwast, Reynolds Ruffins and Edward Sorel. Though Glaser's graphic output has been extremely varied throughout his illustrious career (he later designed the famous 'I Love New York' logo), among his best known work is this silhouette portrait of folk musician and song-writer Bob Dylan. During the psychedelic era of the mid- to late-Sixties, Glaser often relied on punctuating flat, black expanses with smaller areas of bold colour - which he affixed onto his black shapes using coloured films.Glaser frequently drew on his knowledge of art history in his designs; here he based the patterns in Dylan's technicolour hair on the traditional curvilinear forms of Islamic designs.
Other number
LS.625 - Leslie Schreyer Loan Number
Collection
Accession number
E.172-2004

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Record createdOctober 11, 2005
Record URL
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