Not currently on display at the V&A

Bill Graham Presents

Poster
1970 (designed)
Artist/Maker
Place of origin

The Fillmore in San Francisco is a historic music venue, named after its original location at the intersection of Fillmore Street and Geary Boulevard. Known as the Fillmore Auditorium in the mid-1960s, concert promoter Bill Graham began a series of concerts featuring bands from the counterculture of the time. In 1968, due to his spiralling success, he moved to a larger venue which he named Fillmore West. Having closed in 1971, and after extensive repair work to fix earthquake damage, Graham's venue was revived when Live Nation reopened the original Fillmore venue in 1994.

San Francisco in the mid-1960s was the hub of the LSD and Hippie scene and the cultural and political rebellion of 1967's Summer of Love. The resulting influence of these factors on the artists of the area created the fantastic psychedelic posters of the Fillmore. Art dealer Jacaeber Kastor said of the posters, "They couldn't just tell you the information about the show. They had to tell you what kind of people you might meet, what kind of far out trip you might have or perhaps even reveal the mysteries of the universe. Wow. Quantum mechanics, visual mudwrestling, Acid test pop quiz on a phone pole!"

The creator of this poster, David Singer, was an untrained artist doing odd jobs for graphic design companies around San Francisco. He had been interested in collage from an early age, taking inspiration from the surrealism of Max Ernst and Magritte, combining this with the counter-culture of the 1960s. After showing several pieces to Bill Graham, he was hired to produce 12 posters, which Graham liked instantly, as the lettering was legible, a departure from the previous poster art of the Fillmore. Singer worked for Graham right up until the closure of the Fillmore in 1971, for which he created the final design; he was reaching his zenith, adapting Art Deco and Art Nouveau lettering, using collage and freehand drawing to create distinctive graphics, when the venue shut in the summer of 1971.

This poster advertised a gig headlined by Lee Michaels, a singer songwriter who played the Hammond organ, making him an unusual rock performer at the time. Also playing was Albert King, an American blues guitarist.


Object details

Categories
Object type
TitleBill Graham Presents (named collection)
Materials and techniques
Printed ink on paper
Brief description
Poster advertising Lee Michaels, Albert King and Atlee performing December 12 and 13, plus an Evening with Tom Paxton December 7, and an Evening with Ravi Shankar and Alla Rakha December 16 1970 at Fillmore West, San Francisco.
Physical description
Poster advertising Lee Michaels, Albert King and Atlee performing December 12 and 13, plus an Evening with Tom Paxton December 7, and an Evening with Ravi Shankar and Alla Rakha December 16 1970 at Fillmore West, San Francisco. Yellow background with black text and surrealist photographic collage centrally
Dimensions
  • Height: 56cm
  • Width: 35.5cm
Credit line
Given by the Smithsonian Cooper-Hewitt, National Design Museum
Object history
Transferred as part of a collection from the Cooper Hewitt Museum, New York, in 1985.
Subjects depicted
Summary
The Fillmore in San Francisco is a historic music venue, named after its original location at the intersection of Fillmore Street and Geary Boulevard. Known as the Fillmore Auditorium in the mid-1960s, concert promoter Bill Graham began a series of concerts featuring bands from the counterculture of the time. In 1968, due to his spiralling success, he moved to a larger venue which he named Fillmore West. Having closed in 1971, and after extensive repair work to fix earthquake damage, Graham's venue was revived when Live Nation reopened the original Fillmore venue in 1994.

San Francisco in the mid-1960s was the hub of the LSD and Hippie scene and the cultural and political rebellion of 1967's Summer of Love. The resulting influence of these factors on the artists of the area created the fantastic psychedelic posters of the Fillmore. Art dealer Jacaeber Kastor said of the posters, "They couldn't just tell you the information about the show. They had to tell you what kind of people you might meet, what kind of far out trip you might have or perhaps even reveal the mysteries of the universe. Wow. Quantum mechanics, visual mudwrestling, Acid test pop quiz on a phone pole!"

The creator of this poster, David Singer, was an untrained artist doing odd jobs for graphic design companies around San Francisco. He had been interested in collage from an early age, taking inspiration from the surrealism of Max Ernst and Magritte, combining this with the counter-culture of the 1960s. After showing several pieces to Bill Graham, he was hired to produce 12 posters, which Graham liked instantly, as the lettering was legible, a departure from the previous poster art of the Fillmore. Singer worked for Graham right up until the closure of the Fillmore in 1971, for which he created the final design; he was reaching his zenith, adapting Art Deco and Art Nouveau lettering, using collage and freehand drawing to create distinctive graphics, when the venue shut in the summer of 1971.

This poster advertised a gig headlined by Lee Michaels, a singer songwriter who played the Hammond organ, making him an unusual rock performer at the time. Also playing was Albert King, an American blues guitarist.
Bibliographic references
  • Poster Collecting. Fillmore Poster. 06 August 2010.
  • Lemke, Gayle The Art of the Fillmore 1966-71, Thunder's Mouth Press, New York, 1999
Other number
BG 260 - Bill Graham's numbering system
Collection
Accession number
S.745-2010

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Record createdNovember 3, 2010
Record URL
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