This costume was used in The Bells, by Leopold Lewis (1828-1890). First performed in 1871, the play starred Henry Irving (1838-1905), who achieved critical praise and lasting fame with his psychologically developed characterisation of the guilt-ridden inn-keeper Mathias. At the end of Act I Mathias has a vision of himself fifteen years previously, about to commit the murder that causes his guilt. To create the scene a second actor had to appear as Mathias in the vision, so that the audience saw both Irving and his 'double' on stage at the same time. This costume was worn by the 'double'.

Irving became a professional actor in 1856, and learned his trade in regional theatres until 1866, when he came to London. He joined the Lyceum Theatre company under the management of H. L. Bateman in 1871, taking on the responsibilities of 'actor-manager' in 1878 when he took over the lease of the theatre, and remained there until 1902, enjoying star status with his leading lady Ellen Terry (1847-1928). Irving produced a diverse range of old and new plays at the Lyceum, including Shakespeare, historical drama, and literary adaptations. His tireless work to elevate the status of the theatrical profession was rewarded in 1895 when he became the first actor ever to receive a knighthood for services to the Theatre.

Irving specialised in spectacularly staged productions with large casts of performers. He commissioned designers and composers to create appropriate scenery, costume and incidental music, played by a full orchestra. Although electric lighting was available from the 1880s, Irving preferred the softer effects of gas, with lime light to focus attention at key points in the play. Irving toured complete productions outside London, taking the full company, scenery and costumes throughout the United Kingdom and across the United States and Canada. The development of the railway system made his the first generation able to achieve this level of touring productions.