Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level E , Case MP, Shelf 55, Box A

Print

ca. 1957 (made)
Artist/Maker

Influential printmaker Rudolf Mumprecht (born 1918) is well known for his experimentation with the aquatint process between the years 1949 and 1970. Amongst his work are quite a large number of images of owls.

Poet and scholar Walter Strachan (1903-1994) was fascinated by the art of the book. His interest was inspired by a visit to an exhibition of artists’ books at the National Gallery in London in May 1945. In due course he wrote many articles on the subject, as well as a major reference work, The Artist and the Book in France (published 1969); he also encouraged successive Keepers of the National Art Library at the V&A “to buy them for England.” To this end he visited France every year, to meet the artists, and acquired proof pages to illustrate his articles and to show to potential purchasers of the books, including the V&A. Over the years he amassed a collection of images of owls; some of these were illustrations from livres d’artistes, and others were designed especially for him as gifts or greetings. The collection of owls began with a visit to the artist Roger Chastel (1897-1981) in 1952, where he witnessed the printing of Le Bestiaire de Paul Eluard. In a subsequent article (“Genesis and Growth of a Collection”, for Connoisseur, 1972) he explained: “My article on Chastel’s Bestiaire had the happy result of bringing me a special print on Auvergne paper of the owl which I had admired in the book. Contacts in the art-world of Paris are close and friendly, and I was marked down as an owl-man, in consequence of which I have gradually been given dedicated owl prints and originals in every medium from pen and ink to enamel…”


Object details

Categories
Object type
Materials and techniques
Aquatint on paper
Brief description
Aquatint, owl, by Rudolf Mumprecht, ca. 1957.
Physical description
Artist's proof of an aquatint showing a spotted owl against a black background.
Dimensions
  • Plate size height: 17.9cm
  • Plate size width: 12.8cm
  • Sheet size height: 31.4cm
  • Sheet size width: 23.4cm
Production typeArtist's proof
Marks and inscriptions
  • 'Mumprecht' (Artist signtaure inscribed in pencil, lower right outside plate mark.)
  • 'épreuve d'artiste' (Inscribed in pencil, lower right outside plate mark.)
Credit line
Bequeathed by Walter Strachan
Object history
This forms part of a collection of prints, drawings and paintings of owls bequeathed to the V&A by Walter Strachan (1903-1994). Strachan, a scholar and collector of Livres d'Artistes, became friendly with a large number of artists, who, on hearing that he had a fondness for owls, began sending him images to add to his collection.
Production
Reason For Production: Private
Subject depicted
Summary
Influential printmaker Rudolf Mumprecht (born 1918) is well known for his experimentation with the aquatint process between the years 1949 and 1970. Amongst his work are quite a large number of images of owls.

Poet and scholar Walter Strachan (1903-1994) was fascinated by the art of the book. His interest was inspired by a visit to an exhibition of artists’ books at the National Gallery in London in May 1945. In due course he wrote many articles on the subject, as well as a major reference work, The Artist and the Book in France (published 1969); he also encouraged successive Keepers of the National Art Library at the V&A “to buy them for England.” To this end he visited France every year, to meet the artists, and acquired proof pages to illustrate his articles and to show to potential purchasers of the books, including the V&A. Over the years he amassed a collection of images of owls; some of these were illustrations from livres d’artistes, and others were designed especially for him as gifts or greetings. The collection of owls began with a visit to the artist Roger Chastel (1897-1981) in 1952, where he witnessed the printing of Le Bestiaire de Paul Eluard. In a subsequent article (“Genesis and Growth of a Collection”, for Connoisseur, 1972) he explained: “My article on Chastel’s Bestiaire had the happy result of bringing me a special print on Auvergne paper of the owl which I had admired in the book. Contacts in the art-world of Paris are close and friendly, and I was marked down as an owl-man, in consequence of which I have gradually been given dedicated owl prints and originals in every medium from pen and ink to enamel…”
Collection
Accession number
E.248-1994

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Record createdOctober 4, 2005
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