This image of an owl is an engraving from slate. Raoul Ubac (1910-1985), a Belgian who settled in Paris, began to use slate, a material he was familar with from his native area of Ardennes in Belgium, from 1960. He studied engraving with innovative British printmaker Stanley William Hayter (1901-1988) at the influential workshop Atelier 17 in 1936. Originally a photographer and Surrealist, Ubac abandoned both to become a painter, printmaker, illustrator and designer of tapestries and stained glass. From 1946 he had already begun to use slate for making double-sided sculptural reliefs. His paintings and prints have a subdued palette and slab-like forms. This comes from a collection of images of owls amassed by poet and shcolar Walter Strachan (1903-1994).

Strachan was fascinated by the art of the book. His interest was inspired by a visit to an exhibition of artists’ books at the National Gallery in London in May 1945. In due course he wrote many articles on the subject, as well as a major reference work, The Artist and the Book in France (published 1969); he also encouraged successive Keepers of the National Art Library at the V&A “to buy them for England.” To this end he visited France every year, to meet the artists, and acquired proof pages to illustrate his articles and to show to potential purchasers of the books, including the V&A. Over the years he amassed a collection of images of owls; some of these were illustrations from livres d’artistes, and others were designed especially for him as gifts or greetings. The collection of owls began with a visit to the artist Roger Chastel (1897-1981) in 1952, where he witnessed the printing of Le Bestiaire de Paul Eluard. In a subsequent article (“Genesis and Growth of a Collection”, for Connoisseur, 1972) he explained: “My article on Chastel’s Bestiaire had the happy result of bringing me a special print on Auvergne paper of the owl which I had admired in the book. Contacts in the art-world of Paris are close and friendly, and I was marked down as an owl-man, in consequence of which I have gradually been given dedicated owl prints and originals in every medium from pen and ink to enamel…”Strachan owned several artist books illustrated by Ubac.