Panel
ca. 1200-1220 (made)
| Artist/Maker | |
| Place of origin |
This panel formed part of the border of a window from Canterbury Cathedral in Kent. The acanthus flower was a common decorative motif at the time it was made, and illustrates the wide range of classical motifs in the decorative arts that were available to the medieval craftsman.
Some of the surviving medieval glass was removed from the cathedral in the mid-1800s and replaced with copies. The original panels were stored in various glaziers’ workshops, and eventually sold off to private collectors. This makes it difficult to determine where this panel may have come from.
Over time, some of the original panels from the cathedral have come into museum collections in Britain and in the United States.
Some of the surviving medieval glass was removed from the cathedral in the mid-1800s and replaced with copies. The original panels were stored in various glaziers’ workshops, and eventually sold off to private collectors. This makes it difficult to determine where this panel may have come from.
Over time, some of the original panels from the cathedral have come into museum collections in Britain and in the United States.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Clear and coloured glass with painted details |
| Brief description | Panel of foliage of clear, coloured and flashed glass with painted details. Originally border panels from a window in Canterbury Cathedral. English, about 1200-1220. |
| Physical description | On a red ground between yellow and green beaded edges are four upward growing pairs of blue leaves with a central white palmette. |
| Dimensions |
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| Gallery label |
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| Object history | All three panels (C.2-1958, C.7 & 8-1959) had been purchased from Canterbury by Philip Nelson. John Hunt purchased them from Nelson's estate and later gave them to the museum. |
| Summary | This panel formed part of the border of a window from Canterbury Cathedral in Kent. The acanthus flower was a common decorative motif at the time it was made, and illustrates the wide range of classical motifs in the decorative arts that were available to the medieval craftsman. Some of the surviving medieval glass was removed from the cathedral in the mid-1800s and replaced with copies. The original panels were stored in various glaziers’ workshops, and eventually sold off to private collectors. This makes it difficult to determine where this panel may have come from. Over time, some of the original panels from the cathedral have come into museum collections in Britain and in the United States. |
| Associated objects | |
| Bibliographic references |
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| Collection | |
| Accession number | C.8-1959 |
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| Record created | September 19, 2005 |
| Record URL |
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