Hand-painted poster by Carmelo Chines illustrated with a scene from a puppet performance. Sicilian, ca.1920.
Poster
ca.1920 (painted)
ca.1920 (painted)
Artist/Maker | |
Place of origin |
This hand-painted poster by Carmelo Chines, pasted with the 'ricordino' giving a handwritten summary of the performance, advertised a puppet show in Taormina, Sicily, in about 1920. It is illustrated with a scene from The History of the Paladins in which Candellino fights and defeats Rodomonte (shown wearing crocodile armour) and Ferraù, the Prince of Spain.
This traditional type of Sicilian puppetry known as Opera dei Pupi developed in Italy during the 19th century and was typically full of exciting action, recreating battles between Christians and Saracens, or telling the stories of Italian poems or the lives of saints. It was played by wooden marionettes of two types, from Palermo and Catania, suspended on iron rods. Palermo puppets were about 90cms tall, weighed less than 15 kilos and had bendable knee joints, while Catanian puppets could be as tall as 140cms, weigh 35 kilos, had stiff knees and fixed swords, and were operated by perfomers stading above the stage on a bridge concealed by he proscenium arch.
This traditional type of Sicilian puppetry known as Opera dei Pupi developed in Italy during the 19th century and was typically full of exciting action, recreating battles between Christians and Saracens, or telling the stories of Italian poems or the lives of saints. It was played by wooden marionettes of two types, from Palermo and Catania, suspended on iron rods. Palermo puppets were about 90cms tall, weighed less than 15 kilos and had bendable knee joints, while Catanian puppets could be as tall as 140cms, weigh 35 kilos, had stiff knees and fixed swords, and were operated by perfomers stading above the stage on a bridge concealed by he proscenium arch.
Object details
Categories | |
Object type | |
Title | Hand-painted poster by Carmelo Chines illustrated with a scene from a puppet performance. Sicilian, ca.1920. (generic title) |
Materials and techniques | Gouache on paper |
Brief description | Hand-painted poster advertising a Sicilian puppet performance showing Candellino defeating Rodomonte and Ferraù, the Prince of Spain. Gouache on paper by Carmelo Chines, ca.1920, overpasted with a 'ricordino' summarising the action. |
Physical description | Hand-painted poster showing three knights, armed with swords and shields, the left hand figure driving off the others. At lower left is pasted a summary of the action of the puppet play. |
Dimensions |
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Gallery label | POSTER ADVERTISING PERFORMANCES BY A SICILIAN PUPPET COMPANY
About 1900
This poster advertised a traditional type of puppet show from Sicily known as Opera dei Pupi, which developed during the 19th century. Full of exciting action and often recreating medieval battles between Christians and Saracens, Opera dei Pupi used heavy wooden marionettes suspended from iron rods. These were operated by performers on a bridge concealed by the theatre’s proscenium arch. The handwritten texts detail exciting highlights to entice passers-by.
Gouache on paper
Museum no. S.428-1980
(December 2012) |
Object history | This poster was acquired in Taormina, Sicily, with two other hand-painted posters, S.427-1980 and S.429-1980, a painted backdrop S.426-1980, and the Sicilian Knight puppet. |
Summary | This hand-painted poster by Carmelo Chines, pasted with the 'ricordino' giving a handwritten summary of the performance, advertised a puppet show in Taormina, Sicily, in about 1920. It is illustrated with a scene from The History of the Paladins in which Candellino fights and defeats Rodomonte (shown wearing crocodile armour) and Ferraù, the Prince of Spain. This traditional type of Sicilian puppetry known as Opera dei Pupi developed in Italy during the 19th century and was typically full of exciting action, recreating battles between Christians and Saracens, or telling the stories of Italian poems or the lives of saints. It was played by wooden marionettes of two types, from Palermo and Catania, suspended on iron rods. Palermo puppets were about 90cms tall, weighed less than 15 kilos and had bendable knee joints, while Catanian puppets could be as tall as 140cms, weigh 35 kilos, had stiff knees and fixed swords, and were operated by perfomers stading above the stage on a bridge concealed by he proscenium arch. |
Associated objects | |
Bibliographic reference | For information on the painter of this poster Carmelo Chines, see pp.155-156 of Il Racconto e i Colori, Storie e cartelli dell'opera dei pupi by Alessandro Napoli, published by Sellerio, Palermo. |
Collection | |
Accession number | S.428-1980 |
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Record created | July 23, 2010 |
Record URL |
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