George Speaight Punch & Judy Collection
Print
21st April 1923 (published)
21st April 1923 (published)
Artist/Maker | |
Place of origin |
BEHIND THE MARIONETTE SCENES: THE WHOLE ART OF WIRE-PULLING
Sketch depicting backstage at a puppet show. Published on page 653 of The Illustrated London News.
The accompanying paragraph reads:
Manipulated by operators on a bridge above the stage, and others in the wings for the puppets "off": the Italian marionettes of the Teatro del Piccoli at the new Scala Theatre... Here Mr. Spurrier lets us into the mechanical secrets of their lifelike movements by a peep behind the scenes. "The operators and assistants," he writes; "number eight persons. There are, as a rule, six operators on the bridge at once, who very cleverly handle whole groups of puppets. Some that are not needed for action are hooked on to the structures on each side of the bridge. In some groups the figures are wired together, so as to form a distinct group, such as a troupe of dancers. In large, concerted movements, the operators cross each other on the narrow bridge, and pass the marionette in action on from one to another, thereby showing extraordinarily subtle touch on the strings to be able to carry on, without detection from the front, the whole character and movement created by the first operator. It is said that this art of marionette operators is handed down from one generation to another."
Sketch depicting backstage at a puppet show. Published on page 653 of The Illustrated London News.
The accompanying paragraph reads:
Manipulated by operators on a bridge above the stage, and others in the wings for the puppets "off": the Italian marionettes of the Teatro del Piccoli at the new Scala Theatre... Here Mr. Spurrier lets us into the mechanical secrets of their lifelike movements by a peep behind the scenes. "The operators and assistants," he writes; "number eight persons. There are, as a rule, six operators on the bridge at once, who very cleverly handle whole groups of puppets. Some that are not needed for action are hooked on to the structures on each side of the bridge. In some groups the figures are wired together, so as to form a distinct group, such as a troupe of dancers. In large, concerted movements, the operators cross each other on the narrow bridge, and pass the marionette in action on from one to another, thereby showing extraordinarily subtle touch on the strings to be able to carry on, without detection from the front, the whole character and movement created by the first operator. It is said that this art of marionette operators is handed down from one generation to another."
Object details
Category | |
Object type | |
Title | George Speaight Punch & Judy Collection (named collection) |
Materials and techniques | printing ink on paper |
Brief description | Sketch depicting backstage at a puppet show. Published on page 653 of The Illustrated London News, 21st April 1923, George Speaight Punch & Judy Collection. |
Physical description | Black and white illustration depicting backstage at a puppet show. An article on 'The World of Science' is printed on the reverse. |
Dimensions |
|
Credit line | Accepted by HM Government in Lieu of Inheritance Tax and allocated to the V&A in 2010. |
Summary | BEHIND THE MARIONETTE SCENES: THE WHOLE ART OF WIRE-PULLING Sketch depicting backstage at a puppet show. Published on page 653 of The Illustrated London News. The accompanying paragraph reads: Manipulated by operators on a bridge above the stage, and others in the wings for the puppets "off": the Italian marionettes of the Teatro del Piccoli at the new Scala Theatre... Here Mr. Spurrier lets us into the mechanical secrets of their lifelike movements by a peep behind the scenes. "The operators and assistants," he writes; "number eight persons. There are, as a rule, six operators on the bridge at once, who very cleverly handle whole groups of puppets. Some that are not needed for action are hooked on to the structures on each side of the bridge. In some groups the figures are wired together, so as to form a distinct group, such as a troupe of dancers. In large, concerted movements, the operators cross each other on the narrow bridge, and pass the marionette in action on from one to another, thereby showing extraordinarily subtle touch on the strings to be able to carry on, without detection from the front, the whole character and movement created by the first operator. It is said that this art of marionette operators is handed down from one generation to another." |
Other number | Puppet Revival File |
Collection | |
Accession number | S.855-2010 |
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Record created | June 8, 2010 |
Record URL |
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