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Image of Gallery in South Kensington
On display at V&A South Kensington
Jewellery, Rooms 91, The William and Judith Bollinger Gallery

Pendant

ca. 1860-80 (made)
Artist/Maker
Place of origin

Pendant in the Italian Renaissance style. Enamelled gold, set with rubies, table-cut diamonds and pearls; the figure group, Charity between Temperance and Prudence.

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Discover more about this object
read Jewellery designs Complementing the V&A’s exquisite jewellery collections is a selection of drawings for jewellery designs. The museum began acquiring these in 1877, with three books of ‘Italian drawings for metalwork and jewellery’ dating from the 1600s.

Object details

Categories
Object type
Materials and techniques
Enamelled gold with rubies, table-cut diamonds and pearls
Brief description
Pendant in the form of Charity between Temperance and Prudence, enamelled gold set with diamonds rubies and pearls, made by Reinhold Vasters of Aachen, Germany, about 1860-80.
Physical description
Pendant in the Italian Renaissance style. Enamelled gold, set with rubies, table-cut diamonds and pearls; the figure group, Charity between Temperance and Prudence.
Dimensions
  • Height: 6.9cm
  • Width: 4.1cm
  • Depth: 0.9cm
Credit line
Salting Bequest
Object history
George Salting was born in Australia on 15 August 1835, the elder son of Severin Kanute Salting (1805-1865), a wealthy businessman and landowner, and Louisa Augusta, née Fiellerup. Following an education at Eton College, 1848-53, and the University of Sydney, from where he graduated with a Bachelor of Arts degree in 1857, Salting settled in London. In 1858-59 he toured the continent, visiting galleries, churches and architectural monuments. After the death of his father on 14 September 1865, he inherited a fortune estimated at £30,000 per annum and devoted himself thereafter to the study and collecting of works of art including lacquer and Oriental porcelain. Such was the extent of the accumulations that filled his rooms above the Thatched House Club at 86 St James's Street, London, that in 1874 Salting started to deposit items on loan in the South Kensington Museum. The Frederic Spitzer sale of Medieval and Renaissance objects d’art in 1893 resulted in a diversification of Salting’s collecting interests: Italian majolica, bronzes and reliefs, Persian, Damascas and Turkish ware, Limoges enamels, illuminated manuscripts, carved woodwork and tapestries, and Japanese lacquer and European steel and iron.

He died on 12 December 1909 and is buried in Brompton Cemetery, London. Salting bequeathed works to the National Gallery, British Museum and Victoria & Albert Museum. The Trustees of the National Gallery received those works which were already on loan and were also allowed to select those from Salting's Collection which they would like to receive. In total this amounted to 192 works. The pictures were hung in the Gallery in 1911. There were no special conditions attached to the bequest. Salting bequeathed his prints and drawings to the British Museum and a substantial number of objects to the Victoria and Albert Museum. The bequest to the V&A was conditional that the objects would not be distributed over various sections but all kept together. Including three works presented during his lifetime, there are currently 164 works in the National Gallery Collection which have been donated by Salting. In addition, thirty-one of the works bequeathed by Salting are now held by the Tate Gallery.
Subjects depicted
Collection
Accession number
M.534-1910

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Record createdAugust 26, 2005
Record URL
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