Bracelet
ca. 1830-ca. 1850 (made)
| Artist/Maker | |
| Place of origin |
The colourful and flamboyant jewellery of the 1820s and 1830s could be set with up to a dozen different stones within a rich gold and coloured gold framework. Special manufacturing techniques and decorative effects were used to achieve an expensive finish using smaller amounts of gold. Although lightly made, this opulent jewellery looked heavier than earlier Neo-classical work.
The highly ornate filigree work of spirals (cannetille) and granules (grainti) added an appealing relief texture, but it was more popular on mainland Europe than in England, where clients preferred more substantial areas of plain gold.
The highly ornate filigree work of spirals (cannetille) and granules (grainti) added an appealing relief texture, but it was more popular on mainland Europe than in England, where clients preferred more substantial areas of plain gold.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Gold, gold filigree, <i>cannetille</i> and <i>grainti</i> decoration, pearls and turquoises |
| Brief description | Bracelet, flexible band of gold, filigree with cannetille and grainti decoration, set with pearls and turquoises, western Europe, about 1830-50 |
| Physical description | Bracelet, flexible band of gold, with clasp and central motif of gold filigree with cannetille and grainti decoration, set with pearls and turquoises. The filigree pieces were taken form another bracelet and re-mounted with a new slide and band. |
| Dimensions |
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| Credit line | Cory Bequest |
| Subject depicted | |
| Summary | The colourful and flamboyant jewellery of the 1820s and 1830s could be set with up to a dozen different stones within a rich gold and coloured gold framework. Special manufacturing techniques and decorative effects were used to achieve an expensive finish using smaller amounts of gold. Although lightly made, this opulent jewellery looked heavier than earlier Neo-classical work. The highly ornate filigree work of spirals (cannetille) and granules (grainti) added an appealing relief texture, but it was more popular on mainland Europe than in England, where clients preferred more substantial areas of plain gold. |
| Collection | |
| Accession number | M.110-1951 |
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| Record created | August 19, 2005 |
| Record URL |
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