Not currently on display at the V&A

Drawing

1942 (drawn)
Artist/Maker
Place of origin

Portrait of Paul Scofield (1922-2008) as Sergius in Arms and the Man by George Bernard Shaw. It was drawn in greasepaint by the actress Yvonne Mitchell.

In 1942 Scofield joined Basil Langton's Travelling Repertory Theatre (TRT) and toured munition factories and mining towns for C.E.M.A. (the Council for the Encouragement of Music and the Arts) in Arms and the Man. Yvonne Mitchell played Raina and Basil Langton was Bluntschli. In the first act of the play Raina shows Bluntschli a picture of her fiancé Sergius. Mitchell made a greasepaint portrait of Scofield to use on the tour. In performance, after showing the picture to Bluntschli, Yvonne Mitchell always kissed the portrait. The marks of her lipstick are still visible on the portrait's mouth.


Object details

Categories
Object type
Materials and techniques
Greasepaint on board
Brief description
Greasepaint portrait of Paul Scofield as Sergius in Arms and the Man by George Bernard Shaw, drawn by Yvonne Mitchell, 1942
Physical description
Black and white greasepaint portrait of Paul Scofield, head and shoulders. He wears army uniform and has a thin waxed moustache.
Dimensions
  • Height: 40.8cm
  • Width: 31.1cm
Production typeUnique
Marks and inscriptions
'Drawing of Paul Scofield / by Yvonne Mitchell / Basil Langdon' (Annotation in pen on the reverse)
Subject depicted
Literary referenceArms and the Man
Summary
Portrait of Paul Scofield (1922-2008) as Sergius in Arms and the Man by George Bernard Shaw. It was drawn in greasepaint by the actress Yvonne Mitchell.

In 1942 Scofield joined Basil Langton's Travelling Repertory Theatre (TRT) and toured munition factories and mining towns for C.E.M.A. (the Council for the Encouragement of Music and the Arts) in Arms and the Man. Yvonne Mitchell played Raina and Basil Langton was Bluntschli. In the first act of the play Raina shows Bluntschli a picture of her fiancé Sergius. Mitchell made a greasepaint portrait of Scofield to use on the tour. In performance, after showing the picture to Bluntschli, Yvonne Mitchell always kissed the portrait. The marks of her lipstick are still visible on the portrait's mouth.
Collection
Accession number
S.304-1985

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Record createdFebruary 24, 2010
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