Not on display

Jamie Reid archive

Poster
Late 1970s (designed)
Artist/Maker
Place of origin

This promotional poster relates to the fifth single released by the Sex Pistols. It was originally titled Cosh The Driver, after Ronnie Biggs' role in the The Great Train Robbery of 1963, but was changed to No One Is Innocent. Biggs collaborated with the band in South America after singer Johnny Rotten left during their US tour in 1978.

Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, later to become the manager of the Sex Pistols.

Object details

Categories
Object type
TitleJamie Reid archive (named collection)
Materials and techniques
Offset lithography on paper.
Brief description
Promotional poster for the Sex Pistols featuring black and white photograph of Ronnie Biggs and text reading "COSH THE DRIVER", late 1970s. Jamie Reid archive
Physical description
Promotional poster for the Sex Pistols featuring black and white photograph of Ronnie Biggs and text reading "COSH THE DRIVER".
Dimensions
  • Height: 70.5cm
  • Width: 48.5cm
Marks and inscriptions
  • COSH / THE DRIVER
  • Sex Pistols
Subjects depicted
Summary
This promotional poster relates to the fifth single released by the Sex Pistols. It was originally titled Cosh The Driver, after Ronnie Biggs' role in the The Great Train Robbery of 1963, but was changed to No One Is Innocent. Biggs collaborated with the band in South America after singer Johnny Rotten left during their US tour in 1978.

Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, later to become the manager of the Sex Pistols.
Collection
Accession number
S.814-1990

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Record createdFebruary 18, 2010
Record URL
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